Name: The Indian Queen
Start: 2023-07-31T00:00:00.000Z
End: 2023-08-02T00:00:00.000Z
Location: Felsenreitschule

Organization

Conductor

Teodor Currentzis

Chorus master

Vitaly Polonsky

Evgeny Vorobyov

Singer

Jeanine De Bique

Teculihuatzin

Doña Luisa

Julian Prégardien

Don Pedrarias Dávila

Rachel Redmond

Doña Isabel

Jarrett Ott

Don Pedro de Alvarado

Andrey Nemzer

Ixbalanqué

Actor

Amira Casar

Leonor

Salzburger Festspiele

Others

Utopia Chamber chorus

Orchestra

Utopia

ingelesa

The Indian Queen -  (Indian Queen)

Salzburg

Austria

Felsenreitschule

The Indian Queen

Public

Indian Queen

alemana

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Countertenor

Tenor

Soprano

Baritone

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

‘Semi-opera’ was the name given in later 17th-century England to a spoken drama with substantial musical sequences — these could be purely instrumental, sung or danced. The music composed for several such works by Henry Purcell in the final years of his short life shows him at the height of his powers as a stage composer. The semi-opera The Indian Queen was based on a play by John Dryden and Robert Howard that was popular at the time — a bizarre ‘heroic drama’ set against the background of fictitious conflicts between the Aztecs and the Incas, with larger than life-sized protagonists and a ludicrously improbable plot devised for the audience’s moral and intellectual edification. While Dryden’s dramatic world could hardly be more alien to us today, Purcell’s music has lost none of its power to move us deeply.
Director Peter Sellars has therefore created a version that places the vocal and instrumental numbers of The Indian Queen in a new dramatic setting: using passages from Rosario Aguilar’s novel La niña blanca y los pájaros sin pies (The Lost Chronicles of Terra Firma), he tells the story of the Spanish conquest of Central America from the perspective of three women. Here the ‘Indian queen’ is the daughter of a Maya chieftain who is given as a concubine to a conquistador in order to spy for her people. She falls in love with him and gives birth to a daughter, but is eventually forced to realize that her hopes that love would make him turn away from the frenzy of conquest and destruction are in vain. The tragedy embraces a huge emotional range: Sellars and Currentzis have expanded the 50-minute original score of The Indian Queen not only with expressive solo songs and arias by the composer but also with a selection of Purcell’s religious choral pieces — deeply intimate, achingly beautiful music.

English

Indian Queen by Purcell, az. 02 abu. 2023, Noiztik (2023/2023), Zuzendaria Teodor Currentzis, Felsenreitschule, Salzburg, Austria

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