Admin

Staatstheater am Gärtnerplatz

Direction d'orchestre

Direction d'orchestre (+1)

Anthony Bramall

Mise en scène

Mise en scène (+6)

Adam Cooper

Chorégraphie

Décors

Décors (+1)

Karl Fehringer

Judith Leikauf

Costumes

Costumes (+1)

Birte Wallbaum

Dramaturge

Dramaturge (+2)

Michael Alexander Rinz

Ténor (+2)

Matteo Ivan Rasic

Frédéric

Soprano

Julia Sturzlbaum

Mabel

Chanteur (+5)

Alexander Franzen

Major-Général Stanley

Baryton (+3)

Daniel Gutmann

Le Roi des Pirates

Ténor (+5)

Peter Neustifter

Samuel

Basse (+5)

Holger Ohlmann

Sergent de police

Soprano (+1)

Mina Yu

Edith

Chanteur (+3)

Anna Overbeck

Kate

Acteur (+3)

Laura Schneiderhan

Isabel

Orchestra

Orchester des Staatstheaters am Gärtnerplatz

Chorus

Chor des Staatstheaters am Gärtnerplatz

Staatstheater am Gärtnerplatz de Munich

Lumières

Michael Heidinger

Ténor (+1)

Alex Tsilogiannis

Sophia Keiler

Soprano (+4)

Sigrid Hauser

Ruth

Mezzo-soprano (+2)

Katja Ladentin

Due to an incredibly ridiculous misunderstanding, instead of “privately”, the young Frederic has completed his training, “with the pirates”. Now that he is finished with learning he wants to uses his grappling hooks and set course for the fairer sex. He immediately it encounters in the form of the Major General’s daughter, Mabel, whose father, rather unfortunately, intends to put an end to all pirates once and for all. And so Frederic suddenly finds himself bang in the middle between good and evil again – or between evil and good? The musical buccaneering satire, “The Pirates of Penzance”, is without doubt one of the highlights of the oeuvre of the British writing duo, “Gilbert & Sullivan”, which helped shape English-language musical entertainment theatre in the 19th century. An absurdly funny plot full of sharp-tongued British humour meets witty, catchy songs – and from it all comes a virtuoso “piratey” nonsense, which to this today delivers as much fun as it did back way back then!

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