Organization

Conductor

Daniel Carter

Stage director

Bernhard F Loges

Set designer

Ana Tasic

Costume designer

Tenor

Peter Aisher

Tom Rakewell

Soprano

Galina Benevich

Anne Truelove

Francesca Paratore

Bass-baritone

Daniel Carison

Nick Shadow

Mezzo-soprano

Kora Pavelić

Baba the Turk

Bass

Bartosz Araszkiewicz

Father Truelove

Dirk Mestmacher

Sellem

Contralto

Emily Lorini

Mother Goose

Dramaturge

Dorothee Harpain

Chorus master

Mikko Sidoroff

Lighting designer

René Klötzer, DE

Choreographer

Mark McClain

Landestheater Coburg

Others

Chor des Landestheaters Coburg

Orchestra

Philharmonisches Orchester Landestheater Coburg

영어

The Rake's Progress

Germany

The Rake's Progress Stravinsky

Public

독일어

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Nick Shadow - The Rake's Progress

Inspired by William Hogarth's series of engravings "A Rake's Progress" (1733-35), which Igor Stravinsky (1882-1971) first saw in 1947 at the Chicago Art Institute, he and his librettists depict the gradual decline of the young libertine Tom Rakewell in eight scenes after. He leaves his beloved Anne Trulove to follow the mysterious stranger Nick Shadow to London to take up his inheritance. There he lives a life of licentiousness, squandering all his money and marrying the bearded and garrulous carnival sensation Baba the Turk. After a year, his assistant Nick Shadow - none other than the devil himself - demands his reward: Tom's soul. One final deck of cards will decide Rakewell's fate...


During the composition of his first and only opera, Stravinsky was primarily concerned with Mozart's "Così fan tutte" and skilfully incorporated echoes of Monteverdi, Handel, Mozart, Rossini and Verdi. The result is a neoclassical style pasticcio full of tonal harmonies, virtuoso coloratura all'Italian and lyrical melodies

Intendant Bernhard F. Loges, together with the set designer Ana Tasic and the general manager Daniel Carter, will stage this brilliant and socially critical parable about true values ​​apart from fame and money with analytical and satirical acumen.

English

Inspiriert von William Hogarths Kupferstichfolge „A Rake’s Progress“ (1733-35), die Igor Strawinsky (1882-1971) das erste Mal 1947 im Chicago Art Institute sah, zeichnen er und seine Librettisten in acht Bildern den schrittweisen Niedergang des jungen Libertins Tom Rakewell nach. Dieser verlässt seine Geliebte Anne Trulove, um dem geheimnisvollen Fremden Nick Shadow für den Antritt seines Erbes nach London zu folgen. Dort führt er ein zügelloses Leben, verprasst sein gesamtes Geld und heiratet die bärtige und geschwätzige Jahrmarktssensation Baba the Turk. Nach einem Jahr verlangt sein Gehilfe Nick Shadow – niemand anderes als der Teufel selbst – seinen Lohn: Toms Seele. Ein letztes Kartenspiel soll Rakewells Schicksal entscheiden …


Während der Komposition seiner ersten und einzigen Oper beschäftigt sich Strawinsky vor allem mit Mozarts „Così fan tutte“ und arbeitet geschickt Anklänge von Monteverdi über Händel, Mozart, Rossini bis Verdi mit ein. So entsteht ein neoklassizistisches Stil-Pasticcio voll tonaler Harmonien, virtuoser Koloraturen all’italiana und lyrischer Melodien.


Intendant Bernhard F. Loges wird gemeinsam mit der Ausstatterin Ana Tasic und dem GMD Daniel Carter diese brillante und gesellschaftskritische Parabel über wahre Werte abseits von Ruhm und Geld mit analytisch-satirischem Scharfsinn auf die Bühne bringen.

Deutsch

The Rake's Progress by Stravinsky, 화 26 4월 2022, 에서 (2022/2022), 감독 Bernhard F Loges,, 지휘자 Daniel Carter

성과 크레딧 (캐스트 & 크루 )

깁스

승무원

앙상블

프로그램, 소개 및 시놉시스

리뷰

비디오

사진

추가 자료

공연 날짜 및 장소

장소