Name: Three Intermezzi for String Quartet
Start: 2023-06-11T00:00:00.000Z
End: 2023-06-11T00:00:00.000Z
Location: Kölner Philharmonie

Organization

Instrumentalist

Martina Horejsi-Kiefer

Daniel Raabe

Alvaro Palmen

Anna Haakh

Mezzo-soprano

Ursula Hesse von den Steinen

Singer

Violin

Viola

Violincello

Elisabeth Polyzoides

Gürzenich - Orchester Köln

Three Intermezzi for String Quartet

Cologne

Germany

Kölner Philharmonie

Public

Dover Beach, op. 3

Three Songs for mezzo-soprano and string quartet

Composition

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Soprano

Countertenor

Bass-baritone

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Ostracized, persecuted, forgotten: The life and afterlife of Karl Weigl is one of the most tragic chapters in recent music history. The Viennese composer was a great success in the 1920s – he was friends with Schönberg, his works were performed by Furtwängler, and he received numerous awards. Then the Nazis took power in Austria, and Weigl, who had Jewish roots, fled to the USA. At 57, he was forced to start all over again in a foreign country, but he couldn’t gain foothold and his compositions piled up in the drawer. This concert strives to re-establish his esteem and juxtaposes Weigls music with that of two other composers from his living environments Austria and the USA: Anton Webern, who explores the new territory of twelve-tone music with his Bagatelles, and Samuel Barber, whose piece »Dover Beach« marks the beginning of his career – and a successful one at that.

English

Verfemt, verfolgt, vergessen: Leben und Nachleben von Karl Weigl gehören zu den tragischsten Kapiteln der jüngeren Musikgeschichte. Der Wiener war einer der erfolgreichsten Komponisten der 1920er Jahre, befreundet mit Schönberg, aufgeführt von Furtwängler, vielfach preisgekrönt. Doch als die Nazis Österreich annektierten, floh Weigl, der jüdische Wurzeln hatte, in die USA. Mit 57 musste er in der Fremde nochmal von vorn anfangen, konnte jedoch nicht mehr wirklich Fuß fassen, komponierte für die Schublade. Das Konzert wagt eine Rehabilitierung und stellt seine Musik der von zwei anderen Komponisten aus Weigls Lebenswelten Österreich und USA gegenüber: Anton Webern, der mit seinen Bagatellen auf das Neuland der Zwölftonmusik vorstieß, und Samuel Barber, der mit »Dover Beach« seine Karriere startete – auch ein Aufbruch, in diesem Fall ein höchst erfolgreicher.

Deutsch

Three Intermezzi for String Quartet by Weigl, K., Dover Beach, op. 3 by Barber, Three Songs for mezzo-soprano and string quartet by Weigl, K., Composition by Various, ig. 11 eka. 2023, Noiztik (2023/2023), Kölner Philharmonie, Cologne, Germany

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