Name: Three Tales
Start: 2002-09-18T00:00:00.000Z
End: 2002-09-21T00:00:00.000Z
Location: Lviv National Academic Opera and Ballet Theatre

Organization

Maestro

Bradley Lubman

Diretor de Palco

Nick Mangano

Estilista

Anita Yavich

Ensemble Modern

Three Tales -  (Três Contos)

Lviv

Ucrânia

Lviv National Academic Opera and Ballet Theatre

Three Tales Reich

Três Contos

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Cantor

Barítono

Baixo-barítono

Soprano

Tenor

Contralto

Baixo

Contratenor

Alto

Continuo

Silent

Spoken

Vocalista Infantil

Three Tales‹ (1998-2002) is the second joint production by Steve Reich (music) and Beryl Korot (video), following ›The Cave‹. The documentary video opera depicts the 20th century as an age of technological dominion, with its own distinct promises and catastrophes. Each act is named after and describes one of three central events of this technological age: Hindenburg, Bikini, and Dolly – the crash of the airship Hindenburg after its first transatlantic flight in Lakehurst 1937, the nuclear tests at Bikini Atoll between 1946 and 1954, and finally the first cloning of the sheep Dolly in Scotland in 1997. Thus, they depict the growth and effects of technological development during the last century by referring to the beginnings of aviation as well as to the more recent ethical discussions about the future of mankind.

Video artist Beryl Korot uses video montage, film- and interview sequences to tell those three ›stories‹. While Hindenburg and Bikini are mainly depicted through archive material (historical footage, photographs, video recordings of news presenters etc), Dolly employs filmed interviews. The variety of images on the electronically multi-divided screen reflects technological progress. It is significant that Steve Reich too makes much greater use of musical technological developments than he does in earlier works. Original recordings are integrated into the composition and altered through transpositions and / or rhythmical modulations. Apart from ›slow motion sound‹, in Dolly he also introduces ›freeze frame sound‹. It is not simple criticism of technology, but rather the ambivalence of technological developments that is voiced in this work.

English

Três Contos by Reich, sex 20 set 2002, De (2002/2002), Dirigido por Nick Mangano,, Regente Bradley Lubman, Lviv National Academic Opera and Ballet Theatre, Lviv, Ucrânia

Créditos do espetáculo (Elenco & Equipe )

Equipe

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos