Name: Tosca
Start: 2020-02-21T00:00:00.000Z
End: 2020-03-18T00:00:00.000Z
Location: Csokonai Színház (Csokonai Theatre)

Admin

Organization

Conductor

Máté Szabó Sipos

Stage director

Sylvie Gabor

Choreographer

Gábor Katona

Singer

Soprano

Adrienn Miksch

Floria Tosca

Tenor

Calin Bratescu

Mario Cavaradossi

Baritone

Lajos Kendi

Baron Scarpia

Bass

Imre Ürmössy

Cesare Angelotti

Imre Donkó

The sacristan

Péter Udvarhelyi

Sciarrone

Antoni Norbert

Warden

Csokonai Színház

이탈리아어

Tosca

Debrecen

Hungary

Csokonai Színház (Csokonai Theatre)

Tosca Puccini

Public

헝가리어

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

If you ask someone to name an opera that contains murder or suicide, there is a good chance that they will list half of the opera literature. However, if we ask in which of them both occur - and all the characters die at the end of the play - then the circle narrows down to Tosca.
However, Puccini's opera is exciting not only because no one survives the end. The action takes place over the course of a single day: in the course of 24 hours, three are dead - including Rome's police captain, who abuses his power to blackmail those around him and thus becomes the master of life and death. But Scarpia's sexual desire pushes him beyond a certain point, he loses his self-control and becomes the same victim as those whom he has judged so far.
In addition, Tosca is a psycho-crime. A thriller. To be precise: a musical erotic thriller. What Hitchcock was on the movie screen at the time is Puccini on the opera stage. The composer has created a finely crafted and passionate crime drama about mechanisms such as the presence of power in the church, politics and sexuality.
Few operas intertwine political arbitrariness with personal passion so closely and openly as in Puccini's gripping play about love, honor, betrayal, power and jealousy.

English

Ha megkérnénk valakit, hogy mondjon egy operát, amiben van gyilkosság vagy öngyilkosság, akkor jó eséllyel a fél operairodalmat felsorolja. Ha azonban azt kérdezzük, melyikben fordul elő mindkettő – és hal meg a darab végére az összes szereplő – akkor nagyjából a Toscára szűkül a kör.
Puccini operája azonban nemcsak attól izgalmas, hogy a végét senki nem éli túl. A cselekmény egyetlen nap leforgása alatt történik: 24 óra elmúlása alatt három halott – köztük Róma rendőrkapitánya, aki hatalmával visszaélve zsarolja a környezetét s ezzel élet-halál ura. Ám Scarpiát szexuális vágya túllöki egy bizonyos ponton, elveszíti önuralmát és ugyanolyan áldozattá válik, mint akik felett eddig ő ítélkezett.
Mindemellett a Tosca egy pszicho-krimi. Egy thriller. Egészen pontosan: zenés erotikus thriller. Ami a filmvásznon annakidején Hitchcock volt, az az operaszínpadon Puccini. A zeneszerző egy finoman kidolgozott és szenvedéllyel teli krimit alkotott olyan mechanizmusokról, mint a hatalom jelenléte az egyházban, a politika és a szexualitás.
Csak kevés operában szövődik össze ennyire szorosan és nyíltan a politikai önkény a személyes szenvedéllyel, mint Puccini megragadó darabjában szerelemről, becsületről, árulásról, hatalomról és féltékenységről.

magyar

Tosca by Puccini, 토 14 3월 2020, 에서 (2020/2020), 감독 Sylvie Gabor,, 지휘자 Máté Szabó Sipos, Csokonai Színház (Csokonai Theatre), Debrecen, Hungary

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