Name: Tosca
Start: 2020-04-22T00:00:00.000Z
End: 2021-07-08T00:00:00.000Z
Location: Михайловский Театр

Admin

Organization

Режиссер-постановщик

Режиссер-постановщик (+1)

Stanislav Gaudasinsky

Художник-постановщик

Художник-постановщик (+1)

Vyacheslav Okunev

Сопрано

Maria Litke

Тоска

Баритон

Alexander Kuznetsov

Барон Скарпиа

Anton Petryaev

Ризничий

Бас

Dmitry Darov

Чезаре Анджелотти

Тенор

Damir Zаkirov

Сполетта

Anton Puzanov

Шарроне

Dmitrij Golovnin

Марио Каварадосси

Дирижер

Alevtina Ioffe

Художник по свету

Mikhail Mekler

Хормейстер

Alexey Dmitriev

Sergey Tsyplenkov

Пианист

Maria Kopyseva

Фортепиа́но

Valentin Bogdanov

Переводчик

Margarita Kunitsyna-Tankevich

Оператор субтитров

Санкт‑Петербургский государственный академический театр оперы и балета им. М. П. Мусоргского — Михайловский театр

Михайловский Театр

итальянский

Tosca -  (Тоска)

Санкт-Петербург

Россия

Tosca Puccini

Oпера

Одобрено

http://www.mikhailovsky.ru/afisha/repertoire/tosca/Опера 3-х действияхМузыка:  Джакомо ПуччиниЛибретто: Луиджи Иллика и Джузеппе Джакоза по одноимённой пьесе...

Tosca is one of the greatest achievements in the history of opera. It is a composition of rare beauty and emotional force. Giacomo Puccini took inspiration from a play written especially for Sarah Bernhardt by Victorien Sardou. With its rapid pace of events, the action develops like the sudden release of a spring. Floria Tosca is a celebrated singer and a beautiful, passionate woman. She succumbs to her emotions easily, be it love, jealousy, or rage. Caught at the very centre of a political intrigue, Tosca falls victim to the manipulations of the treacherous Scarpia and unwittingly ruins her beloved, the artist Mario Cavaradossi. Puccini’s passionate, expressive, and profound music brings equilibrium to the heightened pathos of the literary original and speaks directly to the listener’s heart. Audiences empathize with the protagonists as if they have always known them. This production of Tosca at the Mikhailovsky Theatre is performed as its composer intended, convincingly and considerately following the drama of the music.

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