Organization

Chanteur

Soprano

Ewa Vesin

Floria Tosca

Ténor

Rafał Bartmiński

Μario Cavaradossi

Basse

Tomasz Rudnicki

Cesare Angelotti

Aleksander Zuchowicz

Spoletta

Andrzej Zborowski

Sciarrone

Jerzy Szlachcic

Un geôlier

Direction d'orchestre

Adam Banaszak

Baryton

Mikołaj Zalasiński

Le Baron Scarpia

Jacek Jaskuła

Le Sacristain

Khatuna Chokhonelidze

Radosław Żukowski

Maciej Krzysztyniak

Mise en scène

Michael Gieleta

Décors

Gary McCann

Costumes

Lumières

Ewa Garniec

Voix d'enfant

Nina Hauser

Un berger

Jakub Michalski

Marek Klimczak

Opera Wrocławska

Others

Choir of the Wroclaw Opera

Orchestra

Orkiestra Opery Wrocławskiej

Tosca

Vratislavie

Pologne

TOSCA

Public

Valide

Tosca Puccini

Giacomo Puccini, by opening Toska's twentieth century, made opera closer to people with his then unusual, unique musical language and a thoroughly veristic message. Although it was closer to her some fifty years earlier, for example thanks to Giuseppe Verdi's La Traviata, but there this closeness was mainly based on the libretto. There is something more here, in addition to the libretto, we have an emotional score that paints in our heads a picture of the Roman church of Sant'Andrea della Valle with a picture of the Marquise of Attavanti, the Scarpia palace or the courtyard of the Castel Sant'Angelo.

The work, which premiered 121 years ago (January 14, 1900), is in fact extremely realistic. The emotions and feelings that are present in the part of Floria Toska and the painter Mario Cavaradossi are shared by the audience. Extremely tight action (musically and theatrically) takes us to Rome in 1800. It is there - in the courtyard of the Castel Sant'Angelo - we witness an intrigue that turns out of love into a tragedy.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble