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Soprano (+2)

Krisztina Kónya

Floria Tosca

Soprano

Nadia Cerchez

Tenor (+5)

Boldizsár László

Mario Caravadossi

Tenor (+1)

Sorin Lupu

Barítono (+2)

Zoltán Kelemen

Barón Scarpia

Barítono (+4)

Attila Réti

Bajo (+2)

Bence Pataki

Cesare Angelotti

Tamás Altorjay

Un sacristán

Bajo (+3)

István Andrejcsik

Tenor (+2)

Tivadar Kiss

Spoletta

Bajo (+1)

Kristóf Koczor

Sciarrone

Milán Taletovics

Un carcelero

Dirección orquestal

Dirección orquestal (+1)

Tamás Pál

Dirección orquestal (+3)

Sándor Gyüdi

Dirección de escena

Dirección de escena (+1)

Ferenc Anger

Diseño de vestuario

Escenografía (+1)

Gergely Zöldy

Escenografía

Éva Szendrényi

Szeged National Theatre

National Theatre

Tosca

Szeged

Hungría

Staged

Ópera

The French playwright Victorien Sardou Tosca.  she wrote her drama for the contemporary star of the Parisian stage, Sarah Bernhardt, and her unparalleled success is characterized by the fact that the artist has played the title role more than three thousand times in France alone.  Giacomo Puccini (1858–1924), after seeing the piece twice, wrote a letter to his publisher, Giulio Ricord, to obtain Sardou's permission to make music because "he longs for this textbook."

 The background of the plot is a real historical situation, some of the main characters are specific historical figures.  Napoleon expelled the Austrians from the northern half of Italy in 1796-97, and, under French pressure and example, the Roman Republic was proclaimed on February 15, 1798, headed by Napoleon himself, who appointed a governing body of seven consuls.  The first actor in the opera, Angelotti, was one of the consuls.  In September 1799, the puppet state was overthrown by the forces of Naples, Austria and Russia, and the former consul became a valuable prisoner for the Bourbon Restoration.  During Napoleon's new campaign to reclaim the lost territories, on June 14, 1800, exactly the day of the battle of Marengo, which was the turning point and the eventual victory for the French, the play of the three protagonists, Tosca, the celebrated singer, Cavaradossi, the Republican painter and Baron Scarpia, the cruel police chief of Rome - a battle of politics and love.  Opera researcher Julien Budden says Tosca is “the triumph of pure theater”.  Critic Charles Osborne explains the popularity of the opera - in addition to the two hit arias: Vissi d’arte and E lucevan le stelle - by saying that the act offers great opportunities for the three protagonists to excel not only as singers but also as actors.

Tosca Puccini

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