Name: Tsarskaya Nevesta
Start: 2021-09-05T00:00:00.000Z
End: 2021-09-05T00:00:00.000Z
Location: Perm Tchaikovsky Opera and Ballet Theatre

Organization

Stage director

Georgy Isaakyan

Conductor

Petr Belyakin

Lighting designer

Lighting designer (+1)

Sergei Martynov

Set designer

Elena Solovyova

Chorus master

Tenor (+1)

Evgeny Vorobyov

Tatiana Stepanova

Anton Bagrov

Mezzo-soprano

Anna Sycheva

Petrovna

Contralto

Contralto (+1)

Ekaterina Bachuk

Dunyasha

Soprano

Elena Galeeva

Domna Ivanovna Saburova

Tenor

Sergey Vlasov

Yelisey Bomeliy

Natalia Lyaskova

Lyubasha

Sergey Kuzmin

Boyar Ivan Sergeyevich Likov

Bass

Vladimir Taisaev

Malyuta Skuratov

Baritone

Alexander Pogudin

Grigory Gryaznoy

Irina Baikova

Marfa

Garry Agadzhanyan

Vasily Stepanovich Sobakin

Vladimir Tkachenko

Perm Tchaikovsky Opera and Ballet Theatre

Tsarskaya Nevesta -  (The Tsar's Bride)

Perm

Russia

Main stage

Tsarskaya Nevesta Rimsky-Korsakov

Opera

The Tsar's Bride

Approved

Rimsky-Korsakov | Royal bride | Perm Opera and Ballet Theater

Libretto by Nikolai Rimsky-Korsakov and Ilya Tyumenev based on the drama by Lev Mey. Staged by Evgenia Minakova, set design by Dmitry Smolin, choreography by Leonid Taube
The opera was written in 1899, in this stage version staged in Perm in 1957. Capital renewal in 2005, renewal in 2014.

Plot collisions were borrowed by the composer from the costume drama of the same name by Lev Mei, which is based on the events of the era of Ivan the Terrible. The action takes place in the autumn of 1572, when Tsar Ivan, who decided to marry for the third time, arranged a bridesmaid show. On this occasion, two thousand representatives of the most noble Russian families gathered in Alexandrovskaya Sloboda, where the royal residence was located at that moment. Among them was the boyar daughter Marfa Sobakina, who eventually became the royal chosen one. As a result of a complex love affair, the bride died before the wedding at the hands of her secret rival Lyubasha.

Stylistically, the performance is an example of a successful reconstruction of the monumental theatrical aesthetics of opera productions of the post-Stalin era.

English

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