Organization

Chanteur

Soprano

Elena Pankratova

La Princesse Turandot

Ténor

Gwyn Hughes Jones

Calaf

Basse

Vitalij Kowaljow

Timur

Carlo Bosi

L'Empereur Altoum

Jinxu Xiahou

Pang

Matthew Newlin

Pong

Mise en scène

Robert Wilson

Nicola Panzer

Direction d'orchestre

Gustavo Dudamel

Lumières

John Torres

Costumes

Jacques Reynaud

Décors

Stephanie Engeln

Video

Tomek Jeziorski

Dramaturgie

José Enrique Macián

Guanqun Yu

Liù

Baryton

Mattia Olivieri

Ping

Sava Vemić

Un mandarin

Opéra National de Paris

Others

Maîtrise des Hauts-de-Seine

Orchestra

Paris Opera Orchestra

italien

Turandot

Paris

France

Opéra Bastille

Public

français

anglais

Valide

[TRAILER] TURANDOT by Giacomo Puccini

Twenty-five years after directing Madame Butterfly, which has become an essential production in the Paris Opera's repertoire, Robert Wilson once again approaches Puccini with Turandot, the Italian composer's ultimate masterpiece. The refined and minimalist decorations, the light compositions so specific to the director's universe, lend themselves perfectly to the story of the cruel Princess, daughter of the Emperor of an immemorial China. A show constructed like paintings, some borrowed directly from the Noh theater whose ritualized gestures magnify the group scenes, others, burlesque, carried by the comic trio of Ping, Pang and Pong. Information onhttps://www.operadeparis.fr/saison-21...

Directed by Robert Wilson Musical direction Gustavo Dudamel With Elena Pankratova Guanqun Yu Gwyn Hughes Jones Vitalij Kowaljow Carlo Bosi Alessio Arduini Jinxu Xiahou Matthew Newlin Bogdan Talos Orchestra and Choirs of the Opéra national de Paris Maîtrise des Hauts-de-Seine / Choeur d ' children of the Opéra national de Paris

[EXTRAIT] TURANDOT by Puccini (Elena Pankratova & Gwyn Hughes Jones)

Twenty-five years after directing Madame Butterfly, which has become an essential production in the Paris Opera's repertoire, Robert Wilson once again approaches Puccini with Turandot, the Italian composer's ultimate masterpiece. The refined and minimalist decorations, the light compositions so specific to the director's universe, lend themselves perfectly to the story of the cruel Princess, daughter of the Emperor of an immemorial China. A show constructed like paintings, some borrowed directly from the Noh theater whose ritualized gestures magnify the group scenes, others, burlesque, carried by the comic trio of Ping, Pang and Pong.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble