Organization

Singer

Soprano

Tanya Ivanova

Turandot

Tenor

Dario Di Vietri

Calaf

Rusalina Mochukova

Liù

Bass

Ivajlo Djurov

Timur

Conductor

Ivailo Krinchev

State Opera Stara Zagora

Orchestra

State Opera Stara Zagora Orchestra

Stara Zagora

Bulgaria

Turandot Puccini

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Countertenor

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Choir, orchestra of the State Opera-Stara Zagora, puppeteers from the State Puppet Theater-Stara Zagora, children from the Children's and Youth Studio for Opera and Ballet "Margaritki" at the State Opera-Stara Zagora and representatives of the Pre-Bulgarian Survival School "Baga-Tur" ".

The directorial decision presents the transformation of Turandot from a child to a woman. The Chinese princess perceives the world around her as in a doll game. Suddenly she meets love and this collision with reality makes her existence impossible. In the same way, the human characters in the action conduct an intriguing dialogue with the dolls - a kind of synthesis of characters, situations, relationships... Thus, the Chinese fairy tale is filled with a lot of plastic, dance and bright artistic canvases, in which the entire richness of human feelings, virtues and disadvantages.

English

Хор, оркестър на Държавна опера-Стара Загора, куклени артисти от Държавен куклен театър-Стара Загора, децата от Детско-юношеска студия за опера и балет „Маргаритки“ при Държавна опера-Стара Загора и представители на Прабългарска школа за оцеляване „Бага-Тур“.

Режисьорското решение представя превръщането на Турандот от дете в жена. Китайската принцеса възприема света около себе си като в игра с кукли. Изведнъж среща любовта   и този сблъсък с реалността прави невъзможно нейното съществуване. По същия начин човешките персонажи в действието водят интригуващ диалог с куклите – своеобразен синтез на персонажи, ситуации, отношения… Така китайската приказка се изпълва с много пластика, танц и ярки художествени платна, в които чрез куклите оживява цялото богатство на човешките чувства, добродетели и недостатъци.

български

Turandot by Puccini, lau 04 sep 2021, Frá (2021/2021), Hljómsveitarstjóri Ivailo Krinchev

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