Organization

Admin

Bayerische Staatsoper

Dirección orquestal

Dirección orquestal (+2)

Antonino Fogliani

Dirección de escena

Dirección de escena (+4)

Carlus Padrissa

Escenografía

Escenografía (+2)

Roland Olbeter

Diseño de vestuario

Diseño de vestuario (+1)

Chu Uroz

Video

Video (+3)

Franc Aleu

Iluminación

Iluminación (+2)

Urs Schönebaum

Dirección coral

Dirección coral (+1)

Christoph Heil

Tenor (+6)

Kevin Conners

Emperador Altoum

Tenor

Yonghoon Lee

Calaf

Soprano

Selene Zanetti

Liù

Barítono (+3)

Thomas Mole

Ping

Tansel Akzeybek

Pang

Andrés Agudelo

Pong

Bajo (+5)

Bálint Szabó

Un mandarín

El Príncipe de Persia

Chorus

Kinderchor der Bayerischen Staatsoper

La Fura dels Baus

Dramaturgo

Andrea Schönhofer

Rainer Karlitschek

Orchestra

Bayerisches Staatsorchester

Bayerischer Staatsopernchor

Saioa Hernández

Turandot

Teatro Nacional de Múnich

Extras

Bayerischen Staatsoper Extrachorus

Bajo (+2)

Vitalij Kowaljow

Timur

The people are thirsty for blood. Another suitor for the hand of the sovereign is about to be publicly beheaded, because Princess Turandot is determined never to belong to any man. That’s why anyone who wants to marry her must first solve three riddles. Anyone who fails has to pay with his life. An unknown prince, revolted by Turandot’s cruelty, yet attracted by her beauty, takes on this potentially lethal risk – and solves the riddles. But has he awakened the ice-cold, man-murdering sovereign to love and put an end to her barbarity?

Turandot is Giacomo Puccini’s final opera. He died at a point in time when he had come upon a thus far unsolved dramaturgical problem with his composition. The princess was to be the counter draft to the anti-feminism at the fin-de-siècle.  But how to depict the transformation of the man-murderer to a loving woman? Puccini left the final love scene between Turandot and Calaf fragmentary.

italiano

Múnich

Alemania