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Hungarian State Opera

Dirección orquestal

Dirección orquestal (+3)

Gergely Kesselyák

Dirección de escena

Dirección de escena (+2)

Fabio Ceresa

Escenografía

Escenografía (+2)

Tiziano Santi

Diseño de vestuario

Diseño de vestuario (+1)

Giuseppe Palella

Coreografía

Coreografía (+1)

Mattia Agatiello

Iluminación

Ferenc Stadler

Dramaturgo

Dramaturgo (+2)

Eszter Orbán

Dirección coral

Dirección coral (+7)

Gábor Csiki

Bajo (+4)

Géza Gábor

Bajo (+3)

András Kiss

Samuel

Barítono (+3)

Máté Fülep

Silvano

Barítono (+4)

Lőrinc Kósa

Un Criado

Un Juez

Orchestra

Hungarian State Opera Orchestra

Hungarian State Opera House

Traducción

Traducción (+2)

Arthur Roger Crane

Chorus

Choir of the Hungarian State Opera

Tenor (+5)

Boldizsár László

Riccardo

Attila Mokus

Renato

Soprano (+1)

Adrienn Miksch

Amelia

Mezzosoprano (+2)

Erika Gál

Ulrica

Soprano (+2)

Eszter Zemlényi

Oscar

Tenor (+3)

Adorján Pataki

Barítono (+2)

Károly Szemerédy

Zsuzsanna Ádám

Ildikó Komlósi

Zita Szemere

The subject of this work sparked Verdi's fiercest battle with the censor of Naples and, later on, of Rome. The original libretto treated an actual historical event: the 1792 regicide of a Swedish king. However, this proved too delicate a matter given the political situation of the day, and so in order to curry favour with the censor, the king was converted into an earl and the plot transplanted from Europe to the English North American colonies. After a few more minor alterations, the Roman censor allowed the staging of the work, which when the layer of political assassination is peeled away the plot, reveals a love story. Apart from the political discontent, the real stakes are over a marriage in need of saving. Lurking in the story's background are visceral emotions of unrequited love and blind jealousy that move the plot along.

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