Admin

Hungarian State Opera

Dyrygent

Dyrygent (+3)

Gergely Kesselyák

Reżyseria

Reżyseria (+2)

Fabio Ceresa

Scenografia

Scenografia (+2)

Tiziano Santi

Kostiumy

Kostiumy (+1)

Giuseppe Palella

Choreograf

Choreograf (+1)

Mattia Agatiello

Reżyseria światła

Ferenc Stadler

Dramaturgia

Dramaturgia (+2)

Eszter Orbán

Przygotowanie chóru

Przygotowanie chóru (+7)

Gábor Csiki

Bas (+4)

Géza Gábor

Horn

Bas (+3)

András Kiss

Ribbing

Baryton (+3)

Máté Fülep

Christian

Baryton (+4)

Lőrinc Kósa

Służący Amelii

Sędzia

Orchestra

Hungarian State Opera Orchestra

Hungarian State Opera House

Tłumaczenie

Tłumaczenie (+2)

Arthur Roger Crane

Chorus

Choir of the Hungarian State Opera

Tenor (+5)

Boldizsár László

Gustaw III

Attila Mokus

Renato

Sopran (+1)

Adrienn Miksch

Amelia

Mezzosopran (+2)

Erika Gál

Ulryka

Sopran (+2)

Eszter Zemlényi

Oskar

Tenor (+3)

Adorján Pataki

Baryton (+2)

Károly Szemerédy

Zsuzsanna Ádám

Ildikó Komlósi

Zita Szemere

The subject of this work sparked Verdi's fiercest battle with the censor of Naples and, later on, of Rome. The original libretto treated an actual historical event: the 1792 regicide of a Swedish king. However, this proved too delicate a matter given the political situation of the day, and so in order to curry favour with the censor, the king was converted into an earl and the plot transplanted from Europe to the English North American colonies. After a few more minor alterations, the Roman censor allowed the staging of the work, which when the layer of political assassination is peeled away the plot, reveals a love story. Apart from the political discontent, the real stakes are over a marriage in need of saving. Lurking in the story's background are visceral emotions of unrequited love and blind jealousy that move the plot along.

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