Name: Vasily Petrenko & Siobhan Stagg
Start: 2022-11-12T00:00:00.000Z
End: 2022-11-13T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Conductor

Vasily Petrenko

Soprano

Siobhan Stagg

Orchestra

Rundfunk-Sinfonieorchester Berlin

Vasily Petrenko & Siobhan Stagg

Berlin

Germany

Konzerthaus Berlin

Berliner Philharmonie

Vasily Petrenko & Siobhan Stagg: Concert

Public

Concert

Viacheslav Shumov

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Mezzo-soprano

Contralto

Bass-baritone

Baritone

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

It is an ability of music to be able to disarm death, especially love death, by allowing what was supposedly dead to continue to sound alive. Alban Berg's seven early songs, from "overflowing warmth of feeling" (Arnold Schönberg), were only published late, in 1985, for Berg's 100th birthday. The compositions were once intended for Helene Berg, who she carried tenderly through the storms of life until her death. Alexander Zemlinsky sings about another death, that heart-moving death of the little mermaid based on Hans Christian Andersen's fairy tale of the same name, with the most beautiful, moving music available to him. The spiritual and stylistic relationship between the three-movement tone poem "Die Seejungfrau" (1902) and Gustav Mahler's "Klagendem Lied" and Arnold Schönberg's "Gurre-Lieder" is as obvious as intended.

English

Es ist eine Fähigkeit von Musik, den Tod entwaffnen zu können, zumal den Liebestod, indem sie lebendig weiterklingen lässt, was da vermeintlich gestorben ist. Alban Bergs Sieben frühe Lieder, von „überströmender Wärme des Fühlens“ (Arnold Schönberg), wurden erst spät veröffentlicht, 1985, zum 100. Geburtstag Bergs. Die Kompositionen hatten einst Helene Berg gegolten, von ihr zärtlich durch die Stürme des Lebens getragen bis zu ihrem Tod. Einen anderen Tod, jenen herzbewegenden der kleinen Seejungfrau nach Hans Christian Andersens gleichnamigem Märchen, besingt Alexander Zemlinsky mit der schönsten, ergreifendsten Musik, die ihm zu Gebote steht. Die geistig-stilistische Verwandtschaft der dreisätzigen Tondichtung „Die Seejungfrau“ (1902) zu Gustav Mahlers „Klagendem Lied“ und zu Arnold Schönbergs „Gurre-Liedern“ ist so ohrenfällig wie beabsichtigt.

Deutsch

Vasily Petrenko & Siobhan Stagg by Various, Minn (2022/2022), Surmast Direttur Vasily Petrenko, Berliner Philharmonie, Berlin, Germany

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Kast

Ensemble

Programm, Dwar & Sinossi

Ritratti

Aktar qari

Dati u Postijiet ta' Prestazzjoni

Postijiet