Artist

Admin

Conductor

Stathis Soulis

Stage director

Themelis Glynatsis

Set designer

Alexia Theodorakis

Costume designer

Alexia Theodoraki

Lighting designer

Stella Kaltsou

Video designer

Marios Gampierakis

Singer

Thanasis Dovris

Unknown man

Instrumentalist

Alexandros Botinis

Cello I

Marina Kolovou

Cello II

Greek National Opera

Verklärte Nacht op. 4

Verklärte Nacht op. 4 Schoenberg,A

Public

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Soprano

Bass

Baritone

Bass-baritone

Countertenor

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Schönberg’s Verklärte Nacht (Transfigured Night, op.4, 1899) is perhaps his most popular, if not his most representative work. Written in what is widely known as Schönberg’s “post-Romantic” period and before the invention of the twelve-tone system, VerklärteNacht is one of the most important pieces of the 20th century programme music.It is based on Richard Dehmel’s poem without however using the text as part of the composition. Although Schönberg wrote the sextet following the six stanzas of the poem, he allowed for no pauses between them, giving the listener the impression of a continuous composition.

Dehmel’s poem, with familiar proto-expressionistic characteristics, describes a man and a woman crossing a forest in the midst of an unnaturally bright night. The woman reveals to her partner that she is pregnant by another man. Despite her guilts and shame, the man calms her down and accepts the unborn child, leading the poem to an ecstatic climax.

Schönberg’s composition, apart from being an ingenious combination of the compositional tradition of Brahms’motivistic transformations and Wagner’s constant compositional line (Schönberg’s references to Wagner’s opera Tristan und Isolde are numerous), it is also in part an autobiographical account of his relationship with his music teacher’s –the famous composer Alexander von Zemlinsky– sister, whom he finally married.

The director Themelis Glynatsis, in an attempt that oscillates between a performance and animation, converts the expressionist narrative of Dehmel’s poem and Schönberg’s composition into material for a dramaturgy of a nightmare, which gradually gives its place to an extraordinary psychic transfiguration and to a final concomitance, whereby the intimate bodies stop being monstrous and are overwhelmed by tenderness. In other words, a family drama, and a love story, both demanding a brave affirmation of its characters in order to disengage themselves from repetition and guilt. A basic dramaturgical motif is nature, which initially appears vengeful and uncanny, but little by little is transformed into a landscape of atonement.

English

Verklärte Nacht op. 4 by Schoenberg, Arnold, 周三 09 12月 2020, 从 (2020/2020), 導演是 Themelis Glynatsis,, 导体 Stathis Soulis

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