Organization

Director(a) orquestal

Alexander Hanson

Sergej Bolkhovets

Director(a) de escena

Claes Eriksson

Traductor(a)

Escenógrafo(a)

Elisabeth Åström

Diseñador(a) de vestuario/Figurinista

Ulrika Wassén

Coreógrafo(a)

Annika Lindqvist

Diseñador(a) de iluminación

Joakim Brink

Cantante

Mattias Ermedahl

TOBIAS CORIANDER

Bajo

Åke Zetterström

Doña Agata Scanagalli

Ann-Kristin Jones

Gabriella Vallinder

Viktor Johansson

MÖLLEMAN ”MÖLLE” WILLIAMSEN

Mats Persson

ALFREDO MADRALLI

Henrik Andersson

ÅKE MÖRK (PRODUCER)

Soprano

Mia Karlsson

Corilla Scortichini

Hannes Öberg

Micaela Sjöstedt

Luigia Scannagalli

GöteborgsOperan

Others

GöteborgsOperans Herrkör

Orchestra

Göteborg Opera Orchestra

Revival director

sueco

Viva la mamma

Gotemburgo

Suecia

Operan

Stora scenen

Le convenienze ed inconvenienze teatrali Donizetti

Public

Private

Las conveniencias e inconveniencias teatrales

inglés

Válido

Viva la mamma Donizetti

Donizettis underhållande och eleganta Viva la mamma ironiserar över svårigheter som kan uppstå inför en operapremiär och parodierar…

Viva la mamma: Le convenienze ed inconvenienze teatrali Donizetti

When the players quit the play and decorum slips away, gossip saves the day.

A big opera house is staging a production of a dramatic opera about love at the height of the Roman Empire. The director and producer have the best intentions, but they hadn’t bargained on the singers being quite so... shall we say, self-oriented. Rehearsals break down when each of the cast members insists on being at the centre – of the plot, the stage and the poster. When the second soprano’s formidable and self-important mother, Agata, storms in demanding that her daughter be given a glamorous role, half of the cast members quit the production. Fiasco looms as the production budget dwindles. But Agata knows that ‘When the players quit the play and decorum slips away, gossip saves the day’. She has compiled all her experiences from the industry into a compromising book expected to be a bombshell, for which her publisher has paid a generous advance. Could this money save the day?

Donizetti’s elegant and entertaining work Viva la mamma takes an ironic look at the difficulties that can arise before an opera premiere, cheekily poking fun at stereotypes. The opera is directed and translated by Claes Eriksson from the comedy troupe Galenskaparna, a director, scriptwriter, stage comedian, actor and composer. This is his first opera production. Expressed in his own words: ‘Because I’ve already been lucky enough to do everything I’ve dreamed of, I now only do things I could never have dreamed of.’

Viva la mamma, one of Donizetti’s early operas, was initially penned as a one-act opera entitled Le convenienze ed inconvenienze teatrali (1831), loosely ‘Theatrical adventures and misadventures’, which Donizetti later reworked into a two-act opera. Relegated to obscurity for a century, it was revived in the 1960s and has since enjoyed success on international stages under the punchier name of Viva la mamma.

English

Viva la mamma by Donizetti, De (2024/2024), Dirigido por Claes Eriksson,, Director Alexander Hanson, Sergej Bolkhovets, Operan, Gotemburgo, Suecia

Créditos de presentación (Reparto & Equipo )

Elenco

Equipo

Ensamble

Programa, Acerca de & Sinopsis

Vídeos

Fotografías

Más información

Fechas y lugares de actuación

Lugares