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Weihnachts-Oratorium, BWV 248 (Christmas Oratorio), Bach, J. S.
Μερίδιο
Monteverdi Choir & Orchestras (2022)
03 - 15 Δεκέμβριος 2022 (4 παραστάσεων)
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Christmas Oratorio by Bach, J. S., Σαβ 03 Δεκ 2022, Aπό (2022/2022), αγωγός John Eliot Gardiner, Teatro alla Scala, Milan, Italy

Προβολή Cast and Crew για 03 Δεκ 2022

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​In December 2022, John Eliot Gardiner, the English Baroque Soloists and the Monteverdi Choir performed Bach’s Christmas Oratorio across Europe for the first time since 2008. Programme Johann Sebastian Bach (1685 – 1750) Weihnachtsoratorium / Christmas Oratorio Part 1: Am ersten Weihnachtsfeiertage / For the First Day of Christmas Part 2: Am zweiten Weihnachtsfeiertage / For the Second Day of Christmas Part 3: Am dritten Weihnachtsfeiertage / For the Third Day of Christmas Part 4: Am Feste der Beschneidung Christi / For the Feast of the Circumcision Part 5: Am Sonntage nach Neujahr / For the First Sunday in the New Year Part 6: Am Fest der Erscheinung Christi / For the Feast of Epiphany Bach conjures the joy of Christmas like no other composer in the opening chorus of his Christmas Oratorio: ‘Jauchzet, frohlocket!’ This collection of six cantatas, written for the festivities in Leipzig which started on Christmas Day 1734 and stretched into the first week of 1735, recount in sequence the Coming of Christ, the Nativity, the visit of the Shepherds, the adoration, the circumcision, and the visit of the Wise Men. Bach’s dazzlingly intentive music recycles movements he had previously composed, mostly for secular cantatas, to bring to life both the Gospel narrative as well as humans’ personal response to it. Interspersed throughout the work are some of the most beautifully composed chorales Bach ever wrote. John Eliot Gardiner, the English Baroque Soloists and the Monteverdi Choir provided a chance to hear the complete work, which Bach clearly conceived as a coherent whole, in performances which ally the ensembles’ deep understanding of Bach’s music with the brilliance of a team of outstanding young soloists.
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