Organization

Stage director

Nurkan Erpulat

Conductor

Tom Woods

Costume designer

Katrin Nottrodt

Set designer

Choreographer

Modjgan Hashemian

Dramaturge

Christina Schmidt

Chorus master

Matthias Schlier

Singer

Tenor

Amar Muchhala

Werther

Deniz Yilmaz

Mezzo-soprano

Vera Semieniuk

Charlotte

Anna Werle

Soprano

Anna Pisareva

Sophie

Eva Zalenga

Baritone

Seymur Karimov

Albert

Frederic Mörth

Bass

Daniel Ochoa

The bailiff

Jason Lee

Schmidt

Young Kwon

Johann

Lighting designer

Martin Stevens

Theater Regensburg

Orchestra

Regensburg Philharmonic Orchestra

Franċiż

Regensburg

Germany

Theater am Bismarckplatz

Werther Massenet

Public

Ġermaniż

Approved

WERTHER Lyric drama by Jules Massenet based on Johann Wolfgang von Goethe Poetry by Edouard Blau, Paul Milliet and Georges Hartmann In French with German surtitles Werther and Charlotte fall madly in love with each other. But Charlotte marries Albert, having promised her dying mother. She absolutely wants to keep this oath. Werther initially shows understanding and even results in Charlotte's desire to distance himself from him. It quickly becomes clear, however, that he doesn't want to live without Charlotte. With his epistolary novel DIE LEIDEN DES JUNGEN WERTHERS, Goethe created a masterpiece of sensitivity that served Jules Massenet in 1884 as the basis for an opera that looks far beyond the stereotypes of Romanticism. It's about more than the often-told story of two people who only find each other in the hour of death. Massenet's drama asks questions about love, freedom and personal happiness that are valid regardless of the fashion and taste of an era: How free are you in your decisions and how much is determined by the actions and feelings of people who are close to you? Can you deny your own feelings and still be happy? In deeply lyrical passages and highly dramatic outbursts, Massenet's opera reflects the turmoil of the characters who are caught in their longings, fears and, last but not least, expectations of themselves. Musical director: Tom Woods Director: Nurkan Erpulat Choreography: Modjgan Hashemian Stage and costumes: Katrin Nottrodt Light: Martin Stevens Dramaturgy: Christina Schmidt Rehearsal of Cantemus Choir: Matthias Schlier Werther Amar Muchhala / Deniz Yilmaz Albert Seymur Karimov / Frederic Mörth Le Bailli, the bailiff Daniel Ochoa Schmidt Jason Lee Johann Young Kwon Brühlmann Fabian Hägel / Alexander Kasberger Charlotte, daughter of the bailiff Vera Semieniuk / Anna Werle Sophie, her sister Anna Pisareva / Eva Zalenga Käthchen Johanna Schönfelder / Laura Vögele Fritz, Max, Hans, Karl, Gretel, Clara Members of the Cantemus Choir: David Louis Amundsen, Mieke Bahnmüller, Julius Finster, Mathilde Godin, Ferdinand Gutdeutsch, Ferdinand Käser, Maximilian Kersting, Ida Kühn, Alexander Kunz, Samuel Lachance, Jonas Moos, Johanna Pfaffel, Alexander Vogler The Crowd Tina Essel, Tamás Mester; Students of the ADK Bayern: Maddalena Haindl, Joshua Jacobs, Tara Oestreich, Annalena Oswald, Luise Pahlke

Werther | Theater Regensburg

Werther and Charlotte fall madly in love with each other. But Charlotte marries Albert, having promised her dying mother. She absolutely wants to keep this oath. Werther initially shows understanding and even results in Charlotte's desire to distance himself from him. It quickly becomes clear, however, that he doesn't want to live without Charlotte.

With his epistolary novel DIE LEIDEN DES JUNGEN WERTHERS, Goethe created a masterpiece of sensitivity that served Jules Massenet in 1884 as the basis for an opera that looks far beyond the stereotypes of Romanticism. It's about more than the often-told story of two people who only find each other at the hour of death.

Massenet's drama asks questions about love, freedom and personal happiness that are valid regardless of the fashion and taste of an era: How free are you in your decisions and how much is determined by the actions and feelings of people who are close to you? Can you deny your own feelings and still be happy? In deeply lyrical passages and highly dramatic outbursts, Massenet's opera reflects the turmoil of the characters who are caught in their longings, fears and, last but not least, expectations of themselves.

English

Werther by Massenet, Minn (2021/2022), Immexxi minn Nurkan Erpulat,, Surmast Direttur Tom Woods, Theater am Bismarckplatz, Regensburg, Germany

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