Organization

Singer

Baritone

Lucas Baier

Riff

Tenor

Jan Rekeszus

Tony

Roy Goldmann

Action

Rico Salathe

A-Rab

Paul Csitkovics

Baby John

Arvid Assarsson

Snowboy

Denis Edelmann

Big Deal

Robert Lankester

Diesel

Roberto Junior

Gee-Tar

Soprano

Beatrice Reece

Graziella

Julia Anne Friess

Velma

Karina Kettenis

Martina Vinazza

Minnie

Marina Petkov

Clarice

Spoken

Sybille Lambrich

Anybodys

Andreas Wolfram

Bernado

Marie Heeschen

Maria

Mezzo-soprano

Dorina Garuci

Anita

Amani Robinson

Reginald Holden Jennings

Chino

Domenico Poziello

Pepe

Javier Ojeda Hernandez

Indio

Bass-baritone

Romeo Salazar

Luis

Diego Federico

Anxious

Kara Kemeny

Rosalia

Contralto

Samantha Marie Senn

Consuelo

Michelle Saget

Teresita

Marta Calandrino

Francisca

Sharon Isabell Rupa

Estella

Josef Michael Linnek

Daniel Berger

Schrank

Stefan Viering

Krupke

Glad Hand

Conductor

Daniel Mayr

Stage director

Erik Petersen

Set designer

Dirk Hofacker

Costume designer

Sabine Arthold

Lighting designer

Thomas Roscher

Sound designer

Stephan Mauel

Choreographer

Nibbles

Theater Bonn

West Side Story

Bonn

Germany

Opernhaus

Foyer

West Side Story Bernstein

Approved

Infos und Tickets: https://bit.ly/2mnRWy0

The success of WEST SIDE STORY – one of the most important, if not the most important works of American musical theatre – began as a new version of the Romeo-and-Juliet-motif, initially as a love-story between a Jewish girl and a Catholic boy. Bernstein had been working on this topic since 1949, but in the final stage version, which was premiered in New York in 1957, religion was replaced by issues of immigration: The Jets, a gang of US-born youngsters, are fighting the Sharks, a group of young Puerto Rican immigrants. Romeo-Tony loves Juliet-Maria, but they belong to opposing gangs. Tony is fatally shot by a Shark. In the face of his death, Maria finally prevails on the two groups to make peace. The music uses elements of jazz as well as the dance music that was current at the time, and borrows occasionally from the Italian opera style. Quite independently from their musical theatre context, the songs “Tonight”, “Maria”, “America”, “I Feel Pretty” and “Somewhere” have  become evergreens of not only popular American music, but of world music in general.

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