Name: Wiener Philharmoniker-Mahler, Symphony No. 3
Start: 1972-04-23T00:00:00.000Z
End: 1972-04-25T00:00:00.000Z
Location: Musikverein

Organization

Direction d'orchestre

Leonard Bernstein

Chanteur

Contralto

Christa Ludwig

Alto

Orchestra

Wiener Philharmoniker

Others

Wiener Sängerknaben

Damen der Konzertvereinigung Wiener Staatsopernchor

Musikverein

Wiener Philharmoniker-Mahler, Symphony No. 3

Vienne

Autriche

Großer Saal

The Austrian composer and conductor Gustav Mahler (1860-1911) brought the traditional genre of the symphony into the 20th century. Today his works form the standard repertoire of every major orchestra.

"My symphony will be something that the world has not yet heard! All of nature will have a voice in it..." In the conception of his Third Symphony, Mahler was inspired by the idea of ​​a "graded series of beings" (plant kingdom, animal kingdom, human kingdom and realm of angels). He assumed a world order whose highest level is love. He didn't understand "love" to mean earthly love, but eternal love. The motto "What love tells me", which he put in front of the 6th movement, gives his work a religious and moral accent. "It's almost no longer music, it's almost just natural sounds," Mahler said of his work. In fact, he used every imaginable means of expression in the 3rd symphony: the inclusion of voices in the 4th and 5th
This recording was made in 1972 in the Musikvereinssaal in Vienna.
Leonard Bernstein was the first conductor to record all of Gustav Mahler's symphonies not only on disc but also on video. The Mahler cycle, realized between 1971 and 1985 for the most part with the Vienna Philharmonic, was the first project in Leonard Bernstein's twenty-year collaboration with Unitel. Bernstein's recordings of all Mahler symphonies are not only a unique musical document, but they also contributed to a new understanding of Mahler's work.
"All Mahler symphonies, all Mahler works by the way, are full of extremes. Extremes in dynamics, in tempo, in emotional meaning. If the music is bare, then it is very bare; if it is dense and powerful, it is denser and more powerful than the Götterdämmerung as a whole; when it suffers, it suffers as has never been suffered in music." (Leonard Bernstein)

Wiener Philharmoniker-Mahler, Symphony No. 3: Concert Various

Public

Concert

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contre-ténor

Baryton

Basse

Ténor

Soprano

Mezzo-soprano

Baryton-basse

Rôle muet

Rôle parlant

Voix d'enfant

Wiener Philharmoniker-Mahler, Symphony No. 3 by Various, Du (1972/1972), Chef d'orchestre Leonard Bernstein, Musikverein, Vienne, Autriche

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles