Organization

Mise en scène

Mihaela Bogdan

Direction d'orchestre

Vladimir Lungu

Décors

Viorica Petrovici

Chorégraphie

Vasile Solomon

Anca Opriș Popdan

Lumières

Mădălina Mânzat

Dan Lupea

Traduction

Natalia Constantin

Direction de choeur

Corneliu Felecan

Chanteur

Baryton

Geani Brad

Eugène Onéguine

Soprano

Diana Țugui

Tatiana

Ténor

Cristian Mogoșan

Vladimir Lenski

Contralto

Liza Kadelnik

Olga

Basse

Corneliu Huțanu

Prince Grémine

Mezzo-soprano

Ștefania Barz

Madame Larine

Tiberiu Szasz

Monsieur Triquet

Molnár Zoltán

Zaretski

Rôle muet

Dan Dumitrana

Monsieur Guillot

Artistic Assistance

Iulian Ioan Sandu

Alina Simona Nistor

Cristian Spataru

Mihaela Sandu

Florin Estefan

Eusebiu Huțan

Liliana Neciu

Filippievna

Others

Choir of the Cluj National Opera

Orchestra

Operei Naționale Române Cluj-Napoca

Opera Națională Română Cluj-Napoca

Ballet

Ballet Ensemble of the Romanian National Opera in Cluj-Napoca

Yevgeny Onegin -  (Eugène Onéguine)

Cluj-Napoca

Roumanie

Opera Romana Cluj-Napoca

Yevgeny Onegin Tchaikovsky,P

Public

Valide

Opera in three acts on a libretto by Konstantin Shilovsky, inspired by the verse novel Eugene Onegin by Alexander Sergheevici Pushkin

Eugene Onegin (1877-1878) is the first of the three operas written by Russian composer Pyotr Ilyich Tchaikovsky based on texts of Alexander Pushkin, the writer whose work marks the beginning of modern Russian literature and the switch from the Romantic perception of the present to a realistic depiction of topics assumed.

The opera script, written by Tchaikovsky in one single night, emphasizes the characters’ psychological patterns and their evolution during events that occurred in Sankt Petersburg, at the Larins Mansion and around. Tatyana Larina – the type of the simple, shy, melancholic, wise Russian woman – turns from a naive country girl into a high society lady, with a strong moral sense, after her love declaration made to Eugene Onegin – the Romantic character misunderstood by society, reluctant to the mediocrity of the surrounding world – is met with coldness and indifference by the loved one. The killing in a jealousy duel of his best friend – Lenski – affects Onegin deeply. After a long absence and the unsuccessful attempt to cast away regrets for his deed, Eugene gets back to Sankt Petersburg, where he meets again a charming Tatyana, now joined by her current husband – Prince Gremin. Onegin’s heart finally experiences the feeling he had long time ago spurned, but it is too late. His love has no chance of fulfilment, as Tatyana is determined to honour her statute of married woman.

Opera Eugene Onegin was coldly received at first by the public, a fact which Russian critic Serghei Flerov explains by the novelty of the subject, focused upon characters from daily human reality, instead of “lovers” or “rivals” the public was so accustomed with. However, the same critic praised Tchaikovsky’s work as a worthy musical correspondent of Pushkin’s text. We invite you therefore to let yourselves transported in the atmosphere of the 19th century Russian society, where candid or passionate love, vanity, jealousy, remorse, commitment – emotional valencies masterfully rendered in the music of the great symphony maker Tchaikovsky – leave a definitive mark upon the human destiny!

The show has two breaks and ends around 9.00 p.m.
Recommended age: 12+

English

Eugène Onéguine by Tchaikovsky, P. I., Du (2022/2022), Dirigé par Mihaela Bogdan, Dan Lupea, Mihaela Sandu,, Chef d'orchestre Vladimir Lungu, Cristian Spataru, Opera Romana Cluj-Napoca, Cluj-Napoca, Roumanie

Crédits de représentation (Distribution et équipe de production )

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