Name: Yevgeny Onegin
Start: 1999-06-12T00:00:00.000Z
End: 1999-06-12T00:00:00.000Z
Location: The National Theater Opera Belgrade

Organization

Conductor

Bojan Suđić

Stage director

Radoslav Zlatan Dorić

Set designer

Aleksandar Zlatović

Costume designer

Ljiljana Orlić

Choreographer

Vladimir Logunov

Soprano

Višnja Pavlović Drakulić

Tatiana

Jasmina Trumbetaš Petrović

Baritone

Vladimir Andrić

Eugene Onegin

Contralto

Nataša Jović Trivić

Olga

Dragana Yugovic

Tenor

Radivoje Simić

Lensky

Dejan Maksimović

Mezzo-soprano

Aleksandra Angelov

Larina

Dubravka Filipović

Filippyevna

Olga Savović

Bass

Ivan Tomašev

Prince Gremin

Nenad Jakovljević

Igor Matvejev

Triquet

Radmilo Petrović

National Theatre Belgrade

Others

National Theater in Belgrade

Orchestra

Belgrade National Theatre Orchestra

Rúisis

Yevgeny Onegin -  (Eugene Onegin)

Belgrade

Serbia

The National Theater Opera Belgrade

Yevgeny Onegin Tchaikovsky,P

Public

Approved

Libretto of the composer, created in collaboration with Konstantin Shilovsky, based on the novel of the same name in the verses of Alexander Pushkin, First performance: in Moscow on March 29, 1897. First performance in Belgrade: May 8, 1920. Opera by Eugene Onegin by Peter Tchaikovsky, in Russia and throughout opera world, is considered the most popular Russian opera in general. At the Opera of the National Theater, it was performed as the second in a row, immediately after Puccini's Madame Butterfly , with which the professional work of the ensemble began in 1920. Tchaikovsky was looking for a suitable summary or finished libretto for the next opera. The famous singer Lavrovskaya, in April 1877, draws his attention to Pushkin's novel in verse by Eugenia Onegin. "I need an action ruled by one basic motive, such as love, ambition, jealousy, love for the homeland, etc. - Tchaikovsky writes. I was fascinated when I read the work again. 
(...) In Tchaikovsky's musical interpretation, the characters in this opera gained a new, fourth dimension, they became our close acquaintances, or rather friends. During the show, we not only sympathize with them, but we follow their every breath, every look, every movement. From the first bars of the overture, Tchaikovsky revived the middle and the time of the action. Both the rural idyll and the splendor of the capital are given. And nature is subtly sounded. But the main value is the psychological deepening of complex characters.

English

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble