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Organization

Chanteur

Soprano

Jasmina Trumbetaš Petrović

Tatiana

Ana Petrović

Nevena Bridgen

Baryton

Nikola Mijailovic

Eugène Onéguine

Vladimir Andrić

Contralto

Nataša Jović Trivić

Olga

Aleksandra Angelov

Višnja Radosav

Ténor

Dejan Maksimović

Vladimir Lenski

Nenad Čiča

Mezzo-soprano

Nataša Rašić

Madame Larine

Dubravka Filipović

Filippievna

Basse

Dragoljub Bajić

Prince Grémine

Nenad Jakovljević

Igor Matvejev

Monsieur Triquet

Stevan Karanac

Predrag Gligorić

Un Capitaine

Gavrilo Rabrenović

Mihailo Šljivić

Zaretski

Stahinja Đokić

Direction d'orchestre

Dejan Savić

Aleksandar Kojić

Mise en scène

Radoslav Zlatan Dorić

Décors

Aleksandar Zlatović

Costumes

Ljiljana Orlić

Chorégraphie

Vladimir Logunov

National Theatre Belgrade

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Belgrade National Theatre Orchestra

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National Theater in Belgrade

Yevgeny Onegin -  (Eugène Onéguine)

Belgrade

Serbie

National Theatre

Yevgeny Onegin

Public

Valide

Libretto was written by the composer in cooperation with Konstantin Shilovsky after Aleksandar Pushkin’s novel in verse by the same name. The first performance took place in Moscow on 29th March 1897. The first performance in Belgrade took place on 8th May 1920. Opera Eugene Onegin by Pyotr Ilyich Tchaikovsky is considered the most popular Russian opera in Russia and worldwide. It was the second opera produced by the National Theatre’s Opera, right after Pucini’s Madame Butterfly, with which the Opera started its professional activities in 1920. Tchaikovsky was looking for a suitable story or a finished libretto for his next opera. Lavrovskaya, a well-known singer, talked to him about Pushkin’s novel in verse Eugene Onegin in April 1877. “I need a plot with one basic motif, such as love, honour, jealousy, love for the country,” wrote Tchaikovsky, “I was enchanted when I read the novel.” (…) In Tchaikovsky’s musical interpretation, the characters received a new, fourth dimension, and became our close acquaintances, or should we say friends. We empathize with them and follow their every breath, glance and move. Tchaikovsky gave life to the circumstances and the time of the plot from the very opening of the overture. He portrays both the tranquillity of a village and the glamour of the capital city. The nature also has its gentle sound representation. However, the opera’s main strength is the psychological complexity of characters.

English

Eugène Onéguine by Tchaikovsky, P. I., Du (2016/2017), Dirigé par Radoslav Zlatan Dorić,, Chef d'orchestre Dejan Savić, Aleksandar Kojić, National Theatre, Belgrade, Serbie

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