Name: За Душу
Start: 2024-02-09T00:00:00.000Z
End: 2024-02-09T00:00:00.000Z
Location: Kolarac Concert Hall

Organization

Conductor

Felix Mildenberger

Instrumentalist

Sergej Krylov

Violin

Orchestra

Belgrade Philharmonic Orchestra

За Душу

Belgrade

Serbia

Kolarac Concert Hall

Great hall

Public

The Ticking of a Long-forgotten Clock

violin Concerto 1, op. 6

Danse Macabre, op. 40

Todtenfeier (Funeral Rites)

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baritone

Singer

Soprano

Mezzo-soprano

Countertenor

Tenor

Bass-baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

There is a well-known legend about the composer and violin virtuoso Niccolò Paganini, whose contemporaries believed he was playing so well, he must have made a pact with the devil himself. A devilish violinist of our time is certainly the unbelievably good Sergei Krylov, who has marked past seasons of the orchestra with his incredible interpretations. The devil’s work continues with Saint-Saëns’ Danse Macabre (Dance of Death), followed by an exclusive – Gustav Mahler’s symphonic poem The Farewell, which was subsequently edited only to become the first movement of Mahler’s Symphony No. 2.

English

Poznata je legenda o kompozitoru i violinskom virtuozu Nikolu Paganiniju, čiji su savremenici smatrali da toliko dobro svira da mora da ima sklopljen pakt sa đavolom. Đavolji violinista našeg doba svakako je nestvarni Sergej Krilov, koji je svojim neverovatnim interpretacijama obeležio protekle sezone orkestra. Đavolska posla se nastavljaju u Sen-Sansovom Plesu mrtvih nakon kojeg ćemo, sasvim ekskluzivno čuti simfonijsku poemu Gustava Malera Poslednji ispraćaj, koja je naknadno redigovana, postala prvi stav Malerove Druge simfonije.

latviešu

Позната је легенда о композитору и виолинском виртуозу Николу Паганинију, чији су савременици сматрали да толико добро свира да мора да има склопљен пакт са ђаволом. Ђавољи виолиниста нашег доба свакако је нестварни Сергеј Крилов, који је својим невероватним интерпретацијама обележио протекле сезоне оркестра. Ђаволска посла се настављају у Сен-Сансовом Плесу мртвих након којег ћемо, сасвим ексклузивно чути симфонијску поему Густава Малера Последњи испраћај, која је накнадно редигована, постала први став Малерове Друге симфоније.

српски

За Душу by Brkljacic, Paganini, Niccolò, Saint-Saëns, Mahler, -tól (2024/2024), Karmester Felix Mildenberger, Kolarac Concert Hall, Belgrade, Serbia

Előadás kreditek (Szereplők & Stáb )

Együttes

Program, névjegy és szinopszis

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek