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Slovenska filharmonija

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Ursa Lah

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Slovenian Philharmonic Choir

Za odmik

Ljubljana

Slovenia

Dvorana Marjana Kozina

Za odmik: Missa A Cappella Rautavaara (+3 More)

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Missa A Cappella

Four Sacred Pieces

Moteti

Credo

Approved

The sacred works in the concert program have one thing in common, that they were created by ambassadors of great choral traditions, each of them with their original modern language preserves in a transcendent, recognizable, even national color.

The program is framed by exceptional arrangements of the central mass movement Credo by two Nordic composers who said goodbye in the last seven years and left an invaluable choral oeuvre.

Einojuhani Rautavaara designed his Missa a cappella around the Credo , which was composed almost 40 years earlier than the rest of the mass pieces, completed in 2011. He treats the text with rhythmic variation as a contrast to the Kyrie and Benedictus movements , which are characterized by a "soundscape" built on the cluster . The soloist voices giving the text emerge prominently from it. Unlike Rautavaara, Sven-David Sandström uses the cluster together with extreme vocal ranges and extreme dynamic levels as a powerful expressive tool. With it, in Credo , he created one of the most effective, most picturesque choral works ever.

The four sacred works of the renowned Slovenian composer Nana Forte in the international choral world are characterized by rich rhythmic invention and sophisticated sound nuances between two choirs, which are in imitation, dialogue, complementing and building on each other.

James MacMillan's selection of motets illustrates the diversity of the oeuvre of this most influential British composer of our time, whose works draw inspiration from the Catholic faith and Scottish traditional music.

Post-concert gathering of the audience  with the performers while offering selected premium Slovenian wines.

English

Sakralnim delom v koncertnem sporedu je skupno, da so jih ustvarili ambasadorji velikih zborovskih tradicij, ki vsak s svojim izvirnim sodobnim jezikom ohranjajo v transcendentnem razpoznavni, tudi nacionalni kolorit.

Program uokvirjata izjemni uglasbitvi osrednjega mašnega stavka Credo dveh nordijskih skladateljev, ki sta se poslovila v zadnjih sedmih letih in zapustila neprecenljiv zborovski opus.

Einojuhani Rautavaara je svojo Misso a cappella zasnoval okoli Creda, ki je nastal skoraj 40 let prej kot ostali mašni deli, dokončani leta 2011. Besedilo obdeluje z ritmično variacijo kot kontrast stavkoma Kyrie in Benedictus, za katera je značilna na klastru zgrajena »zvočna pokrajina«. Iz nje prezentno izstopijo besedilo podajajoči solistični glasovi. Za razliko od Rautavaare uporablja Sven-David Sandström klaster skupaj s skrajnimi glasovnimi razponi in ekstremnimi dinamičnimi stopnjami kot močno ekspresivno sredstvo. Z njim je v Credu ustvaril enega najefektivnejših, najslikovitejših zborovskih del sploh.

Štiri sakralna dela v mednarodnem zborovskem svetu uveljavljene slovenske skladateljice Nane Forte odlikuje bogata ritmična invencija in prefinjeno zvočno niansiranje med dvema zboroma, ki sta v imitaciji, dialogu, se dopolnjujeta in nadgrajujeta.

Izbor motetov Jamesa MacMillana ponazarja raznolikost v opusu tega najvplivnejšega britanskega skladatelja našega časa, čigar dela črpajo navdih v katoliški veri in škotski tradicionalni glasbi.

Pokoncertno druženje občinstva z nastopajočimi ob ponudbi izbranih vrhunskih slovenskih vin.

slovenščina

Za odmik by Rautavaara, Forte, N., MacMillan, Sandström, -tól (2024/2024), Karmester Ursa Lah, Slovenska filharmonija, Ljubljana, Slovenia

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