Organization

Dyrygent

Dyrygent (+1)

Charles Mackerras

Bas (+1)

Peter Haage

Peter Iwanow

Bas (+2)

Hans Sotin

Van Bett

Bas - baryton (+5)

Franz Grundheber

Ein Offizier

Staatsoper Hamburg

Chorus

Hamburg State Opera Choir

Orchestra

Philharmonic State Orchestra Hamburg

Others

Ballett der Hamburgischen Staatsoper

Hamburgische Staatsoper

What better legacy could an opera-house director leave behind him than a string of excellent theatrical productions! Rolf Liebermann (1910-1999), who was actually a composer, certainly succeeded in doing this – particularly during the 14 years from 1959 to 1973 that he spent in charge of Hamburg State Opera. During the Liebermann era the company in this northern German city embarked on a new artistic and administrative course that had - and still has - an impact on the entire operatic scene in central and Western Europe.

It is significant in terms of Rolf Liebermann’s artistic credo that he selected Joachim Hess’ 1969 production of Zar und Zimmermann to be included amongst the august ranks of his 13 opera films. What he was clearly trying to achieve was as varied as possible a documentation of the performing capabilities of the Hamburg opera company during this period. Millions of television viewers (in those days) were to be given the opportunity to share the experience.

It may seem strange nowadays, but all that needs to be said regarding the production is that the story, in terms of libretto and music, has been realised on a simple 1:1 basis – with all the technical skills available to film-makers in the late 1960s.

Zar und Zimmermann (Cesarz i cieśla), Lortzing

Obsada

Peter Iwanow

Van Bett

Ein Offizier

Załoga

Dyrygent

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Chór

Inne

Współproducent

Zdjęcia

Szczegóły

Kompozytor / -ka

Opis

Synopsis produkcji