Name: Zuzana Ferjenčíková, Organ
Start: 2024-03-11T00:00:00.000Z
End: 2024-03-11T00:00:00.000Z
Location: Elbphilharmonie

Organization

Admin

Elbphilharmonie & Laeiszhalle Hamburg

Instrumentalist

Zuzana Ferjenčíková

Oboe

Piano

Organ

Organist

Zuzana Ferjenčíková, Organ

Hamburg

Tyskland

Elbphilharmonie

Grosser Saal

Zuzana Ferjenčíková, Organ: Adagio & Rondo for Glass Harmonica in C minor, KV 617 Mozart (+5 More)

Public

Adagio and Rondo in C minor

Weinen, Klagen, Sorgen, Zagen, S.179

The Isle of the Dead, Symphonic Poem Op. 29

Adagio in B Minor, K. 540

Orpheus, S. 98

Hypérion, ou la Rhétorique de Feu, op. 45

Delfina Gago

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Dirigent

Regissör

Librettist

Scenograf

Kostym designer

Koreograf

Ljus designer

Dansare

Skådespelare

Körledare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

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Illustrator

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Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

contralto

Countertenor

Soprano

Mezzo-soprano

Bass-baritone

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

When a composer writes a work they have a clear idea or vision of how they want it to sound. Sometimes though, other tonal ideas emerge in retrospect, or history decides that a work can, in fact, sound quite different. That is the moment for the arranger to step in and tailor a new »tonal garment« for the piece, as it were.

In the case of Franz Liszt’s symphonic poems, for instance, this was done by his contemporary Alexander Winterberger and the modern visionary Jean Guillou. Winterberger turned the piano variations on »Weinen, Klagen, Sorgen, Zagen« into a veritable organ work – so successfully, in fact, that the original piano version is hardly ever played nowadays. Guillou, on the other hand, himself a first-rate virtuoso, took Liszt’s vision of the Orpheus saga and expanded on it to create a fabulous orgy of sound for organ.

Now the Slovak organist and former Guillou student Zuzana Ferjenčíková is just the right person to perform this repertoire. Blessed with a phenomenal technique and driven by an incessant inner passion, she breathes new life into these arrangements at her Elbphilharmonie debut – which includes Sergei Rachmaninov’s famous »Isle of the Dead« and keyboard works by Mozart, one of which Ferjenčíková has arranged herself. Finally, Guillou’s truly titanic fantasy on Hyperion, the divine messenger of light, is an original work written for the organ
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SERIES
The Elbphilharmonie Organ

PRE-CONCERT TALK
with Thomas Cornelius (in German)

7:00 p.m. / Elbphilharmonie, Great Hall

English

Zuzana Ferjenčíková, Organ by Mozart, Liszt, Rachmaninoff, Guillou, Från (2024/2024), Elbphilharmonie, Hamburg, Tyskland

Föreställningskrediter (Medverkande & produktionsteam )

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