Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2016 — Atzo
Il turco in Italia (The Turk in Italy), Rossini
Teatro Comunale Alighieri di RavennaStage director
Ikusi antzezle eta ekipoaIl turco in Italia (The Turk in Italy), Rossini
Teatro Sociale di RovigoStage director
Ikusi antzezle eta ekipoaLa serva padrona (The Maid Turned Mistress), Pergolesi
Teatro Massimo di PalermoStage director + 1 rol
Ikusi antzezle eta ekipoaLa serva padrona (The Maid Turned Mistress), Pergolesi
Teatro Massimo di PalermoStage director + 1 rol
Ikusi antzezle eta ekipoaIl matrimonio segreto da 11 a 18 anni, Cimarosa
Teatro Regio di ParmaStage director
Ikusi antzezle eta ekipoaIl turco in Italia (The Turk in Italy), Rossini
Teatro Comunale Alighieri di RavennaStage director
Ikusi antzezle eta ekipoaIl turco in Italia (The Turk in Italy), Rossini
Teatro Sociale di RovigoStage director
Ikusi antzezle eta ekipoaLa serva padrona (The Maid Turned Mistress), Pergolesi
Teatro Massimo di PalermoStage director + 1 rol
Ikusi antzezle eta ekipoaLa serva padrona (The Maid Turned Mistress), Pergolesi
Teatro Massimo di PalermoStage director + 1 rol
Ikusi antzezle eta ekipoaPolittico Monteverdiano, Monteverdi
Monteverdi FestivalStage director
Ikusi antzezle eta ekipoaIl Turco In Italia, Rossini
Teatro Sociale di RovigoStage director
Ikusi antzezle eta ekipoaIl turco in Italia (The Turk in Italy), Rossini
Teatro CocciaStage director
Ikusi antzezle eta ekipoaRoberto Catalano was born in Palermo in 1985 He has a university degree in Philosophy and Ethics. In 2014 he won the director’s competition of Festival Orizzonti of Chiusi (SI) with the diptych Pierrot Lunaire and Gianni Schicchi. Also in 2014, in the occasion of the project “La Scuola va al Massimo”, he directed Otello and Don Giovanni at Teatro Massimo in Palermo. In 2016, he worked as writer and director for the project of AsLiCo “OperaEducation”, a new version of La Bohème at Teatro Sociale in Como, Teatro Franco Parenti in Milan and the Philharmonic Academy in Rome. In 2016, he also directed a new production of L’Elisir d’Amore in Beirut for the third edition of OperaStudio and a new version of Il Barbiere di Siviglia at Auditorium Paganini in Parma. In January 2017, he continued di