Revisões de produção anteriores
3Aus der Geburtsstadt des Gaudimax Mozart ist von einer wahren Flut der Heiterkeit zu berichten. Als erste Quelle dafür ist Cecilia Bartoli auszumachen. Die Heiterkeit der Vokalvirtuosin erinnert bekanntlich an ein munteres Bächlein, das blubbert, gluckst und sprudelt. Der zweite Zufluss: Rolando Villazón. Die Heiterkeit des Mexikaners ist druckvoller, kommt einer Fontäne, einem Hochstrahlbrunnen, einem Wasserwerfer gleich: umwerfend lustig! Wenn nun die quirlige Intendantin der Salzburger Pfingstfestspiele den quietschfidelen Intendanten der Salzburger Mozartwoche einlädt, an der Salzach eine der populärsten komischen Opern der Musikgeschichte zu inszenieren, dann muss das doch ein ziemlicher Kracher werden.
“Una voce baritonale molto sonora e una notevole morbidezza nell’emissione consentono a Gustavo Castillo di incarnare un Padre Peter scanzonato ma al contempo carico di amare preoccupazioni per il destino dei figli“
Not for one moment does the opera tire or bore the audience thanks to the dancers’ choreographies and video art projection onto the screen that render the idea of a magical world. However, it was the quality of the singers and orchestra that ensured the success of the performance. First of all, Cecilia Bartoli, in the title roles, gave an intense unforgettable interpretation, her Alcina was touching, needy, her fear of getting old and losing her power and charm was delivered with the hues of her voice as well as the acting. Philippe Jaroussky was a credible undecisive Ruggiero from the beginning when he was under the spell to the end when he finally finds the courage to break the spell. Sandrine Piau was an amazing Morgana, her coloratura was pure and her acting was very apt to the comic role of this character, Kristina Hammarström gave us a really great interpretation of Bradamante in her resolution to free Ruggiero. The rest of the cast was equally fine, including the young Sheen Park of the Vienna Boys Choir in the difficult role of Oberto. The conductor Gianluca Capuano and the orchestra Les Musiciens du Prince-Monaco are specialist of the baroque repertoire and performed the difficult score with minute attention to details. The show was an amazing experience throughout and, except for a few members of the audience who were clearly nostalgic for old baroque productions, it was greatly appreciated.
