Bass

Sinho Kim

Singer

Artist

Approved

2017

2016

Individual contributor id

include virtual contributors

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Mezzo-soprano

Contralto

Countertenor

Tenor

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Tosca shows us the best characteristics of Puccini's composition and its ability to know how to contribute at all times what is necessary, and become unique in reference to the vocal and stage performance of the singers.
It is considered one of the most representative operas of the Italian verista repertoire (realist-naturalist style) of the second half of the nineteenth century and early twentieth century, for its dramatic intensity, with brilliantly shocking scenes such as the "Te Deum" of the Mixed Choir and Baron Scarpia at the end of the first act, and to host some of the most beautiful and exciting arias in the repertoire, such as the "Vissi d'arte" by the female protagonist Floria Tosca, the second act, or the "E lucevan le stelle" of the male protagonist Mario Cavaradossi, in the third and final act of the play.
The plot combines love, intrigue, violence, passion and death. Along with Madama Butterfly and La Bohème, he is part of Puccini's most famous opera trio.

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