Ljubljana

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It may seem that the institutionalised theatre, and Musical Theatre and Ballet in particular, have existed in Slovenia for a rather short period of time, especially when compared to other European milieus. However, if we take into account all the historical circumstances, we may untie ourselves of all the restraints and look back into our past with pride. The history of our stage has been varied and very much alive, especially because many years passed before it was really taken over by the Slovenian artists and creators, who mostly became members of our permanent ensembles. And, more than 90 years have passed, since the times, when the Ljubljana Ballet Ensemble made its first steps towards professionalism and was soon followed by the Orchestra of our Opera Theatre.

  
Let us skim through some important events that marked these past decades. When the Slovenian Regional Theatre obtained its new building (today’s Opera Theatre) in 1892, both Slovene and German theatre and opera performances were staged in it. In this theatre the Slovenian Opera was finally able to engage its permanent conductors, soloists and choir. The performances were first accompanied by hired military musicians and from 1908 on by the members of the newly founded Slovenian Philharmonics. In 1911, the performances of the German ensemble were moved to a new building (today’s Drama Theatre). During World War I, the muses in the Ljubljana Opera fell silent and the theatre building became home to the Cinema Central until – in the spring of 1918 – the theatre consortium decided to finally realise its goal and reopen the Slovenian stage for the 1918/1919 season. Thus, the Slovenian music and theatre scene was revived during the autumn of the same year, even so that the theatre and opera performances could be complemented by the ballet spectacles as well.

At that time, our opera programme was mostly marked by the best French and Italian repertoire, however, a substantial emphasis was also given to some Slav and especially Slovenian operatic works. In the period between the two world wars, the Opera Theatre modernised its repertoire and several successful operas by the Slovenian composers Kogoj, Osterc and Bravničar were staged as well. After World War II the Ljubljana Opera Ensemble gained esteem and respect abroad as well. The opera The Love for Three Oranges became a tremendous success during its international tour in the Netherlands, and particularly its triumphant performance at the Paris Opera. In 1957, the recording of Sergei Prokofiev’s opera The Love for Three Oranges under the baton of the renowned Slovenian conductor Bogo Leskovic, was awarded the Phillips Grand Prix as the world’s Best Recording of the Year.

In the beginning of the 1918/19 season the first performances of the opera and operetta productions with the participation of the Slovenian Ballet Ensemble, led by its own Artistic Director, were put on the stage, and in the spring of 1919 the first independent ballet – The Abduction of Evelyne – was finally premiered too. In the Ballet’s very first professional years, a number of famous classical pieces were already performed however its repertoire also contained some modern Slovenian works. To this day the audience in Ljubljana has been able to attend to many different productions from classical ballet repertoire, and also to quite a number of new dance creations, staged by both Slovenian and foreign choreographers.

Today – apart from some regular programme novelties, offered to its audience every season – the central Slovenian Musical Theatre boasts a wide repertoire of operas, ballets and concerts that derive from both modern and classical creativity, as well as around 150 season and off-season repeat performances on stages at home and abroad. The Slovenian National Theatre Opera and Ballet Ljubljana has been successfully staging its own productions as well as cooperating with various international and Slovenian co-producers for several years, and thus producing an enviable number of acclaimed projects (Faust, Aida, The Love for Three Oranges, Don Quixote, Prince Igor, etc.). Certainly, one of the most memorable performances was the world premiere of the Offenbach’s newly discovered The Rhine Nymphs.

Ljubljana, Slovenia

SNG Opera in balet Ljubljana

Orchestra SNG Opera and Ballet Ljubljana

Opera Chorus SNG Opera in balet Ljubljana

Ballet ensemble SNG Opera and Ballet

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Uvodni koncert v sezono 2022/23Več o predstavi na https://www.opera.si/sl/program/predstava/koncert/vse-barve-harmonije/?d=1940

VSE BARVE HARMONIJE

English

Morda se res zdi, da imajo institucionalno gledališče pa glasbeno gledališče in balet na Slovenskem v primerjavi z drugimi evropskimi okolji kratko dobo, vendar lahko glede na vse zgodovinske okoliščine brez večjih zadržkov s ponosom pogledamo v preteklost. Zgodovina našega odra je bila živahna, še posebej zato, ker je preteklo precej let, preden smo lahko rekli, da je na njem zavladala domena slovenskih umetnikov in ustvarjalcev ter da so ti v večini postali člani naših stalnih ansamblov. Od tistega trenutka dalje, ko je na pot profesionalizacije stopil ljubljanski baletni ansambel in mu je sledil še orkester našega gledališča, pa vse do danes je minilo že več kot 100 let.

Preletimo na kratko nekaj desetletij: ko je leta 1892 slovensko Deželno gledališče dobilo novo poslopje (današnjo Opero), so se v njem uprizarjale dramske in operne, hkrati pa tudi nemške predstave. V njegovem okviru je dobila Opera stalno angažirane dirigente, soliste in zbor, predstave so spremljali sprva najeti vojaški glasbeniki, od leta 1908 pa člani novoustanovljene Slovenske filharmonije. Leta 1911 se je nemško gledališče preselilo v novo stavbo (današnjo Dramo). V času prve svetovne vojne so muze v ljubljanski Operi molčale, v gledališki stavbi je domoval kinematograf Central, dokler ni spomladi leta 1918 ponovnemu zagonu gledališča botroval Gledališki konzorcij, ki si je zastavil cilj, da bi v sezoni 1918/19 začel ponovno delovati slovenski oder. In tako je slovensko glasbeno prizorišče ponovno oživelo že isto jesen, domači gledališki prostor pa je poleg dramskega in opernega dobil še baletno gledališče.

Na ljubljanskem odru so takrat izvajali predvsem francoske in italijanske opere, poudarek pa je bil tudi na slovanskih in slovenskih opernih delih. V obdobju med obema vojnama je operno gledališče posodobilo svoj repertoar in uprizoritev je doživelo kar nekaj uspešnih oper slovenskih avtorjev (Kogoj, Osterc, Bravničar). Po drugi svetovni vojni je postal ljubljanski ansambel cenjen tudi zunaj meja domovine. Velikanski uspeh je požel z mednarodnim gostovanjem na Nizozemskem, še zlasti pa z uspešnim nastopom v velikem opernem gledališču v Parizu. Leta 1957 je bil posnetek opere Zaljubljen v tri oranže S. Prokofjeva (dirigent Bogo Leskovic) nagrajen s Philipsovo nagrado grand prix kot najboljši posnetek leta.

S prvimi predstavami v okviru opernih in operetnih premier v jesenskem delu sezone 1918/1919, spomladi 1919 pa s svojo prvo samostojno baletno premiero Ugrabljena Evelina, je začel svojo poklicno pot tudi naš balet z lastnim ansamblom in vodjem. Že v prvih letih svojega obstoja je uprizoril nekaj znanih klasičnih baletnih stvaritev, svoj repertoar pa je obogatil tudi z novejšimi slovenskimi deli. Doslej si je ljubljansko občinstvo lahko ogledalo veliko število različnih baletnih predstav iz klasičnega repertoarja, med njimi pa tudi precej novejših stvaritev slovenskih in tujih koreografov.

Danes se osrednje slovensko glasbeno gledališče – poleg rednih programskih novosti vsake sezone – ponaša z obširnim repertoarjem opernih, baletnih in koncertnih del iz sodobne in klasične glasbeno-gledališke ustvarjalnosti v matični hiši ter na gostovanjih doma in v tujini. Slovensko narodno gledališče Opera in balet Ljubljana že nekaj let uspešno sodeluje tudi z različnimi mednarodnimi in domačimi koproducenti, s katerimi je v minulih sezonah uprizorilo več odmevnih projektov (Faust, Aida, Zaljubljen v tri oranže, Don Kihot, Knez Igor, Rusalka, …), prav gotovo pa je bila med najodmevnejšimi svetovna premiera ponovno odkrite Offenbachove opere Renske nimfe.

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