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Roméo et Juliette, Gounod
D: Arnaud Bernard
C: Fabio MastrangeloAndrey LebedevYuri MedianikVasily Valitov
깁스: Georgy Vasiliev, Alexey Tatarintsev, Georgy Faradzhev, Stanislav Mostovoy, Alexey Sayapin, Irina Kostina, Irina Bozhenko, Galina Koroleva, Elena Terentieva, Ekaterina Mironycheva, Maria Buinosova, Evgeny Stavinsky, Vitaly Efanov, Andrey Fetisov, Sergey Artamonov, Ilya Kuzmin, Alexey Bogdanchikov, Vasily Laduk, Alexander Martynov, Veniamin Egorov, Dmitry Pianov, Alexander Skvarko, Dmitry Bobrov, Mikhail Novikov, Anna Sinitsyna, Valeria Pfister, Alina Yarovaya, Polina Shamaeva, Gayane Babajanyan, Ekaterina Mirzoyants, Alexander Popov, Alexander Tyupa, Aleksandra Saulskaya-Shultyaeva, Irina Romishevskaya, Tatyana Tabachuk, Andrey Borisenko, Oleg Shagotsky, Dmitry Orlov, Boris Statsenko, Alexey Antonov
Voices and echoes

The solid performance “Romeo and Juliet” by Gounod directed by Arnaud Bernard gave a number of excellent singing works

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19 8월 2015newizv.ruMaya Krylova
French charm of Shakespearean passions

If we leave out of the scope of discussion a certain oversaturation of the performance with unusually realistic battle scenes, then the New Opera can be congratulated on an interesting production. "Romeo and Juliet" by Arnaud Bernard not only follows the author's intention and relies on the director's concept built into the author's context, but is also saturated with elements of modern staging language: the scenography is metaphorically laconic, the action is dynamic, and the role drawings are quite complex. With the proper level of performance, which the Novaya Opera is able to provide, the performance can be called one of the best works of the theater and will be popular with the public for many years to come.

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08 12월 2014www.operanews.ruFedor Borisovich

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