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Daniel Lebhardt’s compelling account of Beethoven’s ‘Emperor’ with the Hallé in Blackburn

Madaras’s confident interpretation of this alluring and enduringly popular score was neat and precise, yet never felt underpowered. Setting the tone was the playing of the bold opening movement that felt focused with an ideal tempo and no shortage of intensity generated. One of my most beloved episodes in all Beethoven’s symphonies is the Andante con moto where Madaras paced the movement impeccably, creating a gratifying level of tenderness. As impressive as I have heard for some time, the playing of the Finale delivered a rewarding sense of resolution to this magnificent symphony.

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16 March 2020seenandheard-international.comMichael Cookson