Biography
Born in Germany and raised in Asia, the mezzo-soprano Nadja Kaiserseder studied with Silvia Saavedra Edelmann in Vienna and pursued her BA of Music at the Mannheim University of Music and Performing Arts with Prof. Snežana Stamenković. Master-Classes with K.S. Doris Soffel and K.S. Edith Lienbacher for Opera, and K.S. Angelika Kirchschlager as well as K.S. Olaf Bär for Lied provided her with finishing touches in technique and lied-interpretation. Nadja’s vocal range has provided her with ample opportunities to explore various operatic roles. Mezzo-soprano roles she has performed on stage include; „Tante Traudl“* (*Fidalma in Domenico Cimarosa’s „Il matrimonio segreto“). Süßes Mädel (Boesmans: “Der Reigen” Cherubino (Mozart: Le Nozze di Figaro), Donna Elvira (Mozart: Don Giovanni), Sorcere
Performance credits
Past performances 2017 — Yesterday
Die Zauberflöte (The Magic Flute), Mozart
Erste Dame (First lady)
View cast and crewFeatured past performances
Biography
Born in Germany and raised in Asia, the mezzo-soprano Nadja Kaiserseder studied with Silvia Saavedra Edelmann in Vienna and pursued her BA of Music at the Mannheim University of Music and Performing Arts with Prof. Snežana Stamenković. Master-Classes with K.S. Doris Soffel and K.S. Edith Lienbacher for Opera, and K.S. Angelika Kirchschlager as well as K.S. Olaf Bär for Lied provided her with finishing touches in technique and lied-interpretation. Nadja’s vocal range has provided her with ample opportunities to explore various operatic roles. Mezzo-soprano roles she has performed on stage include; „Tante Traudl“* (*Fidalma in Domenico Cimarosa’s „Il matrimonio segreto“). Süßes Mädel (Boesmans: “Der Reigen” Cherubino (Mozart: Le Nozze di Figaro), Donna Elvira (Mozart: Don Giovanni), Sorcere
