Set designer

Palle Christensen

Artist

Approved

2017

2016

Individual contributor id

include virtual contributors

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Tenor

Soprano

Bass

Bass-baritone

Mezzo-soprano

Contralto

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Aida I Premiere on October 29, 2016 at the National Theater in Mannheim Musical direction: Alexander Soddy / Matthew Toogood Staging: Roger Vontobel The King: Valentin Anikin / Philipp Alexander More Amneris: Julia Faylenbogen Aida: Miriam Clark Radames: Irakli Kakhidze / Sergey Polyakov (guest) Ramphis: Sung Ha / Bartosz Urbanowicz Amonasro: Evez Abdulla / Jorge Lagoons Messenger: Christopher Diffey / Pascal Herington Temple Singer: Nikola Hillebrand / Iris Marie Sojer Giuseppe Verdi can even compose a duet from a last breath of life that keeps his audience in suspense for generations. Director Roger Vontobel sees the story of the beautiful slave girl, who longs for the love of the war leader in times of war against her own people, as a timeless parable about the friction between individual needs and social necessities. Enemies and friends wear changing masks here, between rite, community, excess and violence there is no power that could clear the chaos. Aida's tragedy is taking place not only in exotically distant Egypt, but all over the world, and so it cannot be a coincidence that the work was banned by Mussolini during the fascist wars of aggression against Abyssinia. More info and tickets at http://bit.ly/NTM_Aida

»Aida« by Giuseppe Verdi at the National Theater in Mannheim

Aida

Palle Christensen

Performance credits

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