Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2006 — Inné
Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Greek National OperaCostume designer
Féach ar an bhfoireann agus an fhoireannBluthaus (La Maison du crime), Haas
Opéra de LyonCostume designer
Féach ar an bhfoireann agus an fhoireannDon Carlo (Italian version), Verdi
Teatro di San CarloCostume designer
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Greek National OperaCostume designer
Féach ar an bhfoireann agus an fhoireann
Bluthaus (La Maison du crime), Haas
Opéra de LyonCostume designer
Féach ar an bhfoireann agus an fhoireann
Don Carlo (Italian version), Verdi
Teatro di San CarloCostume designer
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
47Don Carlo, Verdi
Latvian National Opera and BalletCostume designer
Féach ar an bhfoireann agus an fhoireannSiegfried, Wagner, Richard
La Monnaie/De MuntCostume designer
Féach ar an bhfoireann agus an fhoireannCéa17:00
Brussels, BelgiumDom15:00
Brussels, BelgiumCéa17:00
Brussels, BelgiumDom15:00
Brussels, BelgiumCéa17:00
Brussels, BelgiumIl combattimento di Tancredi e Clorinda (The Combat of Tancredi and Clorinda), Monteverdi
MusikTheater an der WienCostume designer
Féach ar an bhfoireann agus an fhoireannhAo19:00
Vienna, AustriaSiegfried, Wagner, Richard
La Monnaie/De MuntCostume designer
Féach ar an bhfoireann agus an fhoireannSat17:00
Brussels, BelgiumIl combattimento di Tancredi e Clorinda (The Combat of Tancredi and Clorinda), Monteverdi
MusikTheater an der WienCostume designer
Féach ar an bhfoireann agus an fhoireannDom19:00
Vienna, AustriaMái19:00
Vienna, Austria
Beathaisnéis
Real art in costume design comes with the designer’s intent to transport narration within the garments. Any single costume in a play or on screen, traditional or avant-garde, tells a story, talks about the development and the fate of a narrated character. Petra Reinhardt has always been successful in this regard; hand in hand with the director and all the others of the team, she makes everyone she dresses talk – talk to the other roles, talk to the spectator- creating an ensemble of art enhanced by the costumes.
