Name: Lyubov k tryom apelsinam
Start: 2022-04-23T00:00:00.000Z
End: 2022-04-27T00:00:00.000Z
Location: Národní divadlo (National Theatre)

Organization

Bass

Zdeněk Plech

King of Clubs

Tenor

Martin Šrejma

The Prince

Contralto

Andrea Tögel Kalivodová

Princess Clarice

Jaroslav Březina

Truffaldino

Baritone

Roman Janál

Leandro

Jiří Brückler

Pantalone

Soprano

Eva Urbanová

Fata Morgana

Jana Sibera

Ninetta

Mezzo-soprano

Kateřina Jalovcová

Nicoletta

Igor Loškár

Farfarello

Smeraldina

Michal Bragagnolo

Ridicules

Luboš Skala

Lukáš Sládek

Rostislav Florian

Daniel Matoušek

Michael Skalický

Martin Matoušek

Vít Nosek

Jiří Hruška

Peter Paleček

Vít Šantora

Stage director

Radim Vizváry

Conductor

Zbyněk Müller

Lighting designer

Karel Šimek

Costume designer

Natalia Kitamikado

Set designer

Boris Kudlička

Dramaturge

Ondřej Hučín

Chorus master

Jan Bubak

František Zahradníček

Tchelio

National Theatre Prague

Others

Prague National Theatre Chorus

Orchestra

Ópera Checa de Praga

French

Lyubov k tryom apelsinam -  (The Love for Three Oranges)

Prague

Czech Republic

Národní divadlo (National Theatre)

Lyubov k tryom apelsinam Prokofiev,S

Public

The Love for Three Oranges

Czech

English

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

The Italian playwright, satirist and mystifier Count Carlo Gozzi (1720–1806) inadvertently gave rise to a peculiar moment in the history of 20th-century opera: while in 1920 Giacomo Puccini began recasting Gozzi’s fairy-tale-based play Turandot into his final opera that, despite its excesses, was still written in the spirit of good old Romanticism, another opera based on a scenario penned by Gozzi – L’amour des trois oranges – was awaiting its premiere. Sergey Prokofiev conceived the piece as sheer burlesque, traducing everything “heart-felt” and “seriously meant”. In 2019, when the National Theatre in Prague staged its modern-time premiere of L’amour des trois oranges, one hundred years had gone by since the opera’s coming into being. How had it come to pass that one of Prokofiev’s best-known and most acclaimed works, an opera abounding with “jest, irony, satire, as well as profound ideas”, manifesting pure and eternal joy at dallying with human imagination and seeking “sense” and “nonsense”, had, with a single exception, been overlooked by Czech theatres for a full century?

Prokofiev wrote L’amour des trois oranges in the wake of his emigrating from the Bolshevik-ruled Russia to the USA as a sui generis highly cosmopolitan work: based on an Italian play, in a Russian adaptation, set to a French libretto, for an American audience. Gozzi had created his original, predominantly prosaic play L'amore delle tre melarance as a crazy fable in the commedia dell’arte style, with the aim to ridicule his competitors Goldoni and Chiari. Its Dada vein and the playful story so impressed the Russian avant-garde artist Vsevolod Meyerhold that in 1914 he named after Gozzi’s comedy his own magazine, in whose very first issue he published the play’s modern adaptation. Prokofiev happened to have the text in the USA, and since an opera set to a Russian text was out of the question, he opted for a French libretto, which he based on Vsevolod Meyerhold’s translation. No less intricate and quaint than the genesis of Prokofiev’s opera is the opera’s story, depicting as it does a hypochondriac, orange-loving prince.

The Love for Three Oranges by Prokofiev, Wed 27 Apr 2022, From (2022/2022), Directed by Radim Vizváry,, Conductor Zbyněk Müller, Národní divadlo (National Theatre), Prague, Czech Republic

Performance credits (Cast & Crew )

Cast

Crew

Ensemble

Programme, About & Synopsis

Videos

Photos

Further reading

Performance Dates & Venues

Venues