Organization

Singer

Bass

Lisandro Abadie

Tenor

Moritz Kallenberg

Countertenor

Damien Guillon

Soprano

Gwendoline Blondeel

Rachel Redmond

Conductor

William Christie

Les Arts Florissants

Magnificat - Ascension Oratorio - Suite for orchestra no.3

Leipzig

Germany

Public

Private

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Magnificat - Ascension Oratorio - Suite for orchestra no.3: Concert Various

For several years now, Les Arts Florissants has been committed to presenting its vision of Johann Sebastian Bach's great sacred works to audiences in the world's greatest concert halls. Each time, this vision has impressed audiences and the press with its novelty (particularly in terms of tempi and instrumentation) as well as with its depth. Thus, after the Christmas Oratorio, the Mass in B minor and the St. John Passion, William Christie wished to tackle, in the spring of 2021, the Magnificat BWV 243.

This work of reference, which makes its debut in the repertoire of Les Arts Florissants, was written between 1728 and 1731 for the Visitation of the Virgin Mary. Its monumentality and the sacred spirit that animates it will provide a new opportunity to highlight the dramatic power of the Arts Florissants choir and the infinite expressive palette of the orchestra.

English

Magnificat - Ascension Oratorio - Suite for orchestra no.3 by Various, Mon 13 Jun 2022, From (2022/2022), Conductor William Christie

Performance credits (Cast & Crew )

Cast

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues