Name: Otello
Start: 2022-03-23T00:00:00.000Z
End: 2022-07-28T00:00:00.000Z
Location: Stanislavsky and Nemirovich-Danchenko Music Theater

Organization

Singer

Bass

Felix Kudryavtsev

Lodovico

Tenor

Kirill Matveev

Cassio

Baritone

Anton Zaraev

Iago

Costume designer

Dmitry Andreev

Soprano

Hibla Gerzmava

Desdemona

Alexey Shishlyaev

Mezzo-soprano

Larisa Andreeva

Emilia

Vladimir Dmitruk

Roman Ulybin

Viacheslav Kirilyuk

A Herald

Conductor

Felix Korobov

Stage director

Andrei Konchalovsky

Set designer

Matt Deely

Choreographer

Ramunė Chodorkaitė

Lighting designer

Aivar Salikhov

Chorus master

Stanislav Lykov

Najmiddin Mavlyanov

Otello

Maxim Orlov

Montano

Mikhail Basenko

Roderigo

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

Iodáilis

Otello -  (Othello)

Moscow

Russia

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Otello Verdi

Public

Othello

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Othello - Nazhmiddin Mavlyanov (first performance), Cassio - Kirill Matveev, Lodovico - Felix Kudryavtsev, Desdemona - Natalia Petrozhitskaya. Conductor: Felix Korobov; director: Andrey Konchalovsky; artist: Matt Deely *** Otello - Najmiddin Mavlyanov, Cassio - Kirill Matveev, Lodovico - Felix Kudryavtsev, Desdemona - Natalia Petrozhitskaya. Conductor: Felix Korobov, Director: Andrei Konchalovsky, Stage Designer: Matt Deely
#otello #verdi #otello # мавлянов

The role of the director in the genre of opera requires humility. My task is, first of all, not to deprive the listener of music, for the sake of which this art exists. Especially when you stage an opera by a brilliant composer.

The primary role on the stage belongs to the interpreters of music - the conductor and the singers. It is they who determine the movement of the musical element, which makes listeners (and not spectators) experience a unique delight. The main thing in opera directing for me is to try to evoke in the viewer a sense of aesthetic harmony between what is seen and what is heard. For me, the works of Giorgio Strehler and Patrice Chereau have always remained unattainable examples. Therefore, I cannot allow myself the psychological analysis that Shakespeare's tragedy requires when staged on a dramatic stage

The difficulty is that the visual range in the opera does not have to correspond to Verdi's visual vision. A certain shock is possible here, but only of a kind that would not destroy the great composer's musical reading of great dramaturgy.

Andrey Konchalovsky

English

Роль режиссера в жанре оперного искусства требует смирения. Моя задача — прежде всего не отнять у слушателя музыку, ради которой это искусство и существует. Тем более, когда ставишь оперу гениального композитора.

Первостепенная роль на сцене принадлежит интерпретаторам музыки — дирижеру и певцам. Это они определяют движение музыкальной стихии, которая заставляет слушателей (а не зрителей) испытывать неповторимый восторг. Главное в оперной режиссуре для меня — попробовать вызвать у зрителя ощущение эстетической гармонии зримого со слышимым. Для меня недостижимыми образцами навсегда остались работы Джорджо Стрелера и Патриса Шеро. Поэтому я не могу себе позволить того психологического анализа, который требует трагедия Шекспира при постановке на драматической сцене.

Сложность в том, что визуальный ряд в опере не обязательно должен соответствовать зрительному видению Верди. Тут возможен определенный шок, но только такого рода, который бы не разрушал музыкального прочтения великим композитором великой драматургии.

русский

Othello by Verdi, Céa 23 Márt 2022, Ó (2022/2022), Faoi stiúir Andrei Konchalovsky,, Seoltóir Felix Korobov, Stanislavsky and Nemirovich-Danchenko Music Theater, Moscow, Russia

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid