Name: Otello
Start: 2022-03-23T00:00:00.000Z
End: 2022-07-28T00:00:00.000Z
Location: Stanislavsky and Nemirovich-Danchenko Music Theater

Organization

Bass

Felix Kudryavtsev

Lodovico

Tenor

Kirill Matveev

Cassio

Baritone

Anton Zaraev

Iago

Costume designer

Dmitry Andreev

Soprano

Hibla Gerzmava

Desdemona

Alexey Shishlyaev

Mezzo-soprano

Larisa Andreeva

Emilia

Vladimir Dmitruk

Roman Ulybin

Viacheslav Kirilyuk

A Herald

Conductor

Felix Korobov

Stage director

Andrei Konchalovsky

Set designer

Matt Deely

Choreographer

Ramunė Chodorkaitė

Lighting designer

Aivar Salikhov

Chorus master

Stanislav Lykov

Najmiddin Mavlyanov

Otello

Maxim Orlov

Montano

Mikhail Basenko

Roderigo

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

Iodáilis

Otello -  (Othello)

Moscow

Russia

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Otello Verdi

Public

Othello

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-baritone

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Othello - Nazhmiddin Mavlyanov (first performance), Cassio - Kirill Matveev, Lodovico - Felix Kudryavtsev, Desdemona - Natalia Petrozhitskaya. Conductor: Felix Korobov; director: Andrey Konchalovsky; artist: Matt Deely *** Otello - Najmiddin Mavlyanov, Cassio - Kirill Matveev, Lodovico - Felix Kudryavtsev, Desdemona - Natalia Petrozhitskaya. Conductor: Felix Korobov, Director: Andrei Konchalovsky, Stage Designer: Matt Deely
#otello #verdi #otello # мавлянов

The role of the director in the genre of opera requires humility. My task is, first of all, not to deprive the listener of music, for the sake of which this art exists. Especially when you stage an opera by a brilliant composer.

The primary role on the stage belongs to the interpreters of music - the conductor and the singers. It is they who determine the movement of the musical element, which makes listeners (and not spectators) experience a unique delight. The main thing in opera directing for me is to try to evoke in the viewer a sense of aesthetic harmony between what is seen and what is heard. For me, the works of Giorgio Strehler and Patrice Chereau have always remained unattainable examples. Therefore, I cannot allow myself the psychological analysis that Shakespeare's tragedy requires when staged on a dramatic stage

The difficulty is that the visual range in the opera does not have to correspond to Verdi's visual vision. A certain shock is possible here, but only of a kind that would not destroy the great composer's musical reading of great dramaturgy.

Andrey Konchalovsky

English

Роль режиссера в жанре оперного искусства требует смирения. Моя задача — прежде всего не отнять у слушателя музыку, ради которой это искусство и существует. Тем более, когда ставишь оперу гениального композитора.

Первостепенная роль на сцене принадлежит интерпретаторам музыки — дирижеру и певцам. Это они определяют движение музыкальной стихии, которая заставляет слушателей (а не зрителей) испытывать неповторимый восторг. Главное в оперной режиссуре для меня — попробовать вызвать у зрителя ощущение эстетической гармонии зримого со слышимым. Для меня недостижимыми образцами навсегда остались работы Джорджо Стрелера и Патриса Шеро. Поэтому я не могу себе позволить того психологического анализа, который требует трагедия Шекспира при постановке на драматической сцене.

Сложность в том, что визуальный ряд в опере не обязательно должен соответствовать зрительному видению Верди. Тут возможен определенный шок, но только такого рода, который бы не разрушал музыкального прочтения великим композитором великой драматургии.

русский

Othello by Verdi, Déa 28 Iúil 2022, Ó (2022/2022), Faoi stiúir Andrei Konchalovsky,, Seoltóir Felix Korobov, Stanislavsky and Nemirovich-Danchenko Music Theater, Moscow, Russia

Creidmheasanna feidhmíochta (Foireann & Criú )

Criú

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid