Matt Boehler • "This Star" from BECOMING SANTA CLAUS (Mark Adamo)
Opere musicali
2Crediti di rappresentazione
Prossimi spettacoli Da oggi in poi
Spettacoli passati 2002 : ieri
L´Héroïque symphonie no 3 de Beethoven par Kent Nagano, StravinskyBeethoven
Montreal Symphony OrchestraLe Père (basso)
Visualizza programma, cast e troupeRoméo et Juliette (Romeo e Giulietta), Gounod
Toledo OperaFrère Laurent (Frate Lorenzo)
Visualizza cast e team creativoThe Falling and The Rising, Redler, Z.
Des Moines Metro OperaColonel + 1 ruoli
Visualizza cast e team creativoThe Love for Three Oranges, Prokofiev
Des Moines Metro OperaKuharka (Cook)
Visualizza cast e team creativoSpettacoli passati in primo piano
L´Héroïque symphonie no 3 de Beethoven par Kent Nagano, StravinskyBeethoven
Montreal Symphony OrchestraLe Père (basso)
Visualizza programma, cast e troupe
Roméo et Juliette (Romeo e Giulietta), Gounod
Toledo OperaFrère Laurent (Frate Lorenzo)
Visualizza cast e team creativoThe Falling and The Rising, Redler, Z.
Des Moines Metro OperaColonel + 1 ruoli
Visualizza cast e team creativoThe Love for Three Oranges, Prokofiev
Des Moines Metro OperaKuharka (Cook)
Visualizza cast e team creativo
Prossimi spettacoli
9Pelléas et Mélisande (Pelléas e Mélisande), Debussy
Des Moines Metro OperaArkel (Arkël)
Visualizza cast e team creativoBulrusher, Stookey
West Edge OperaSchoolch
Visualizza cast e team creativoAcis and Galatea (Aci e Galatea), Händel
Florentine OperaPolyphemus (Polifemo)
Visualizza cast e team creativo
Biografia
Hailed by The New York Times as "a bass with an attitude and the goods to back it up," Matt Boehler is a singer known in the worlds of opera and theater for his captivating, dynamic performances and his long-earned reputation as an inventive and truly collaborative artist. He has appeared as a principal artist with The Metropolitan Opera, New York City Opera, Dallas Opera, Santa Fe Opera, Minnesota Opera, Spoleto Festival, Théâtre Royal de la Monnaie, Theater St. Gallen, and Canadian Opera Company, as well as a soloist with the New York Philharmonic, Baltimore Symphony Orchestra, Chicago Symphony Orchestra, Minnesota Orchestra, and the New York Festival of Song, among many others. In addition to bringing "power and brilliant tone" (Opera News) to staples of the standard repertoire, Matt i
