Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 1993 — Inné
Jenůfa (Jenufa), Janáček
English National OperaLighting designer
Féach ar an bhfoireann agus an fhoireannAdriana Lecouvreur, Cilea
Opéra National de ParisLighting designer
Féach ar an bhfoireann agus an fhoireannUn ballo in maschera (A Masked Ball), Verdi
The Metropolitan OperaLighting designer
Féach ar an bhfoireann agus an fhoireannLohengrin, Wagner, Richard
San Francisco OperaLighting designer
Féach ar an bhfoireann agus an fhoireannPeter Grimes, Britten
English National OperaLighting designer
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Jenůfa (Jenufa), Janáček
English National OperaLighting designer
Féach ar an bhfoireann agus an fhoireann
Adriana Lecouvreur, Cilea
Opéra National de ParisLighting designer
Féach ar an bhfoireann agus an fhoireann
Un ballo in maschera (A Masked Ball), Verdi
The Metropolitan OperaLighting designer
Féach ar an bhfoireann agus an fhoireann
Lohengrin, Wagner, Richard
San Francisco OperaLighting designer
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
35Andrea Chénier, Giordano
Royal Opera HouseLighting designer
Féach ar an bhfoireann agus an fhoireannPartenope, Händel
San Francisco OperaLighting designer
Féach ar an bhfoireann agus an fhoireannSat19:30
San Francisco, United StatesAdriana Lecouvreur, Cilea
Gran Teatre del LiceuLighting designer
Féach ar an bhfoireann agus an fhoireannPartenope, Händel
San Francisco OperaLighting designer
Féach ar an bhfoireann agus an fhoireannCéa19:30
San Francisco, United StatesAdriana Lecouvreur, Cilea
Gran Teatre del LiceuLighting designer
Féach ar an bhfoireann agus an fhoireannCéa19:30
Barcelona, Spain
Beathaisnéis
American lighting designer Adam Silverman made his Royal Opera debut in 2010 on Adriana Lecouvreur, directed by David McVicar, and his Royal Ballet debut in 2013 on Christopher Wheeldon’s Aeternum. He has since returned to create the lighting design for Andrea Chénier, directed by McVicar for The Royal Opera, for The Last Hotel, a co-commission and co-production between Landmark Productions and Wide Open Opera, for Arthur Pita’s The Wind for The Royal Ballet and for Lohengrin, directed by David Alden, for The Royal Opera. He returns in the 2018/19 Season as lighting designer for Sidi Larbi Cherkaoui's Medusa. Silverman trained at the North Carolina School of the Arts and now works extensively in opera, theatre and dance. Opera credits include Un ballo in maschera for the Metropolitan Opera
