Léirithe san am a chuaigh thart 2013 — Inné
Messiah (Messiah HWV 56), Händel
Winnipeg Symphony OrchestraSoprano
Féach ar an bhfoireann agus an fhoireannDialogues des Carmélites (Dialogues of the Carmelites), Poulenc
San Francisco OperaCarmelite Nuns
Féach ar an bhfoireann agus an fhoireannThe Adlers: Live at the Drive-in, Various
San Francisco OperaSoprano
Féach ar an bhfoireann agus an fhoireannMessiah (Messiah HWV 56), Händel
Winnipeg Symphony OrchestraSoprano
Féach ar an bhfoireann agus an fhoireannDialogues des Carmélites (Dialogues of the Carmelites), Poulenc
San Francisco OperaCarmelite Nuns
Féach ar an bhfoireann agus an fhoireannThe Adlers: Live at the Drive-in, Various
San Francisco OperaSoprano
Féach ar an bhfoireann agus an fhoireannCanadian soprano Anne-Marie MacIntosh, hailed by the Globe and Mail as one of “The Voices of a Generation,” is currently a second year Adler Fellow at San Francisco Opera. Despite the pandemic, this year holds many exciting performances and debuts for MacIntosh. Anne-Marie covered the role of Berta in the Drive-In Barber of Seville, San Francisco Opera’s triumphant return to live performance after the pandemic. In addition, she was featured on the drive-in stage in the Adlers: Live at the Drive-In Concert. This fall, she will make her War Memorial Opera House mainstage debut as Marzelline in a new production of Beethoven’s Fidelio, under the baton of newly-appointed San Francisco Opera Music Director Eun Sun Kim. In December, Anne-Marie will make an appearance in the Rising Stars: Adler Co