Profilbewertungen
32Déjà plébiscitée dans le rôle d’Elizabeth (Tannhäuser) à l’Opéra de Monte-Carlo en 2016, la soprano néerlandaise Annemarie Kremer s’avère à nouveau sensationnelle d’engagement dramatique et de facilité vocale, jusque dans les extrêmes vocaux requis par la partition. Entre la beauté de son puissant registre aigu et la qualité supérieure de son style, notre cœur balance. (Already acclaimed in the role of Elizabeth (Tannhäuser) at the Monte-Carlo Opera in 2016, the Dutch soprano Annemarie Kremer is again proving to be sensational in dramatic engagement and vocal ease, even in the extreme vocals required by the partition. Between the beauty of its powerful high register and the superior quality of its style, our heart swings.)
La protagonista Annemarie Kremer ha dato convincente pienezza scenica a Violanta grazie ad una voce fascinosa nello smalto e robusta nel volume, soprattutto nel registro centrale. La Kremer, particolarmente apprezzata dagli ascoltatori, ha ben interpretato l’eroina nel suo percorso sentimentale che da gelida vendicatrice la porterà a divenire, alla termine dell’intenso incontro con Alfonso, vittima sacrificale dei propri sentimenti. (The protagonist Annemarie Kremer gave Violanta convincing scenic fullness thanks to a fascinating voice in the enamel and robust in the volume, especially in the central register. Kremer, particularly appreciated by the listeners, has well interpreted the heroine in her sentimental path that from icy avenger will lead her to become, at the end of the intense meeting with Alfonso, a sacrificial victim of her own feelings.)
