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|Compositore e Opera||Ruolo||Produzioni|
The other voice that caught the attention was that of the young Maltese Mezzosoprano Marvic Monreal, to whom Dvořák gives the penultimate movement of the work, an Inflammatus et accensus of very intense Slavic characters. Monreal demonstrates freshness, smoothness and mastery and mastery of a round register, with beautiful dark nuances with a notable interpretation....
In the penultimate number, the only truly solo (without chorus) movement, mezzo-soprano Marvic Monreal offered characterful contrast, especially in her lower range.