Dyrygent

Nicolas Krauze

Artist

Approved

2022

2019

2018

Individual contributor id

include virtual contributors

Pianista

Instrumentalist

Violinist

Wiolonczelista

Aranżer

Violist

Clarinetist

Flecista

Hornist

Oboista

Contrabassist

Organista

Bassoonist

Trumpetist

Perkusista

Harfista

Gitarzysta

Saxophonist

Trombonist

Klawesynista

Accordionist

Tuba Player

Kontrabasista

Bassist

Recorder Player

Lutenist

Timpani

Harmonium Player

Bandoneon Player

Vibraphonist

Tenor Violinist

Theorbist

Mandoline Player

Ondes Martenot Player

Barokowy flecista

Cornettist

Baroque Oboist

Baroque Trumpetist

Mandolin Player

Violino Piccolo Player

Chalumeau Player

Guzheng Player

Pipa Player

Sitar Player

Oud player

Musette de cour Player

Viola Pomposa Player

Archlutenista

Bagpipe Player

Cuatro Player

Basso Continuo

Sheng Player

Bass Clarinettist

Tabla Player

Viola d’amore Player

Hurdy-gurdy Player

Claves Player

Handpan Player

Bayan Player

Birbynė Player

Bombard Player

Dizi Player

Ney Player

Tárogató Player

Whistle Player

Haegeum Player

Kamancha Player

Kantele Player

Kora Player

Qanun Player

Euphonium Player

Synthesist

Gayageum Player

Suona Player

Kompozytor / -ka

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Taniec

Aktor

Reżyseria światła

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Musical Theater Performer

Koordynator kaskaderów

Stage manager

Fryzjer

Other

Narrator

Chór

Lalkarz

Dyrektor muzyczny

Orkiestra

Stage technician

Vocal coach

Writer

Photographer

Illustrator

Teacher

Wig & Makeup Designer

Broadcasting

Chorus Director

Film director

Playwright

Writing and performance

Executive Production

Orchestra Operations

Passare

Stage Design

Extra

Dyrygent orkiestry scenicznej

Bas - baryton

Singer

Kontratenor

Baryton

Tenor

Mezzosopran

Kontralt

Sopran

Głos dziecięcy

Spoken

Silent

Alto

Poet

Massenet, apart from his most famous opera Manon, was remembered for his unusually lyrical vocal miniatures. According to the composer himself, music was primarily meant to give pleasure and provoke deep feelings, so he tried to compose, but also chose the content of his works. Thaïs is the story of a beautiful courtesan who almost hypnotizes her admirers with grace and beauty. Her dissolute life, however, is a salt in the eyes of the young monk, Atanael. He tries to convert the promiscuous woman at all costs, which is successful. As a result of this peculiar crusade, Atanael discovers that it was not really about conversion, but about winning the extraordinary and magical love of Thaïs. However, it is too late for this, because his chosen one is dying. Thaïs is a story about passions that torment people, but also about the dangers of excessive religious fascination. It is also opening the field for discussion and an attempt to answer questions about the hierarchy of values: is love and temporal passions more important, or eternal salvation ...

Nicolas Krauze

Udział w spektaklu

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