Prossimi spettacoli Da oggi in poi
Spettacoli passati 2014 : ieri
Passione Secondo Giovanni, Bach, J. S.
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Visualizza cast e team creativoEl Greco Opera in three acts, Hatzinasios
Megaron Athens Concert HallIcarus + 1 ruoli
Visualizza cast e team creativoMessiah, Händel
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor (Controtenore)
Visualizza cast e team creativoL'incoronazione di Poppea, Monteverdi
Festival d'Aix en ProvenceNerone
Visualizza cast e team creativoOpera Open 2023: the Mercy of Titus - Mozart, Mozart
State Opera PlovdivSesto
Visualizza cast e team creativoThe Demon (Il Demone), Rubinstein
Staatstheater NürnbergGenii Dobra (Angel) (L'Angelo)
Visualizza cast e team creativoPassione Secondo Giovanni, Bach, J. S.
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Visualizza cast e team creativoEl Greco Opera in three acts, Hatzinasios
Megaron Athens Concert HallIcarus + 1 ruoli
Visualizza cast e team creativoMessiah, Händel
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor (Controtenore)
Visualizza cast e team creativoL'incoronazione di Poppea, Monteverdi
Festival d'Aix en ProvenceNerone
Visualizza cast e team creativoThe Demon (Il Demone), Rubinstein
Staatstheater NürnbergGenii Dobra (Angel) (L'Angelo)
Visualizza cast e team creativoGiulio Cesare in Egitto (Giulio Cesare), Händel
GlyndebourneNireno
Visualizza cast e team creativoAmerican countertenor Ray Chenez is redefining his fach with a voice that possesses a rare combination of beauty, power and flexibility. He has the capacity to sing an unusual range of repertoire for a countertenor and captivates audiences with his embodiment of male and female roles. Opera News magazine called him one of the up-and-coming opera stars of the next generation, writing, "Ray Chenez's countertenor is bold and assertive, but also warm and luxurious. He has a natural electric presence, and his diction is precise no matter how high he sings." A 2014 George London Award winner, he has been called "luxury casting" by The New York Times, "excellent connection to the text, superb vocal control and impeccable diction" by Opera News, and a "dramatic soprano voice oozing with potent