Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2010 — Inné
La fanciulla del West (The Girl of the Golden West), Puccini
Wiener StaatsoperSonora
Féach ar an bhfoireann agus an fhoireannDas verfluchte Geisterschiff, Wagner, Richard
Wiener StaatsoperDer Holländer
Féach ar an bhfoireann agus an fhoireann-
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Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Wiener StaatsoperOfficer
Féach ar an bhfoireann agus an fhoireannTristan und Isolde (Tristan and Isolde), Wagner, Richard
Wiener StaatsoperMelot
Féach ar an bhfoireann agus an fhoireannSalome, Strauss
Wiener Staatsoper2. Nazarener (Second Nazarene)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
La fanciulla del West (The Girl of the Golden West), Puccini
Wiener StaatsoperSonora
Féach ar an bhfoireann agus an fhoireann
Das verfluchte Geisterschiff, Wagner, Richard
Wiener StaatsoperDer Holländer
Féach ar an bhfoireann agus an fhoireann-
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Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Wiener StaatsoperOfficer
Féach ar an bhfoireann agus an fhoireann
Tristan und Isolde (Tristan and Isolde), Wagner, Richard
Wiener StaatsoperMelot
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
27Lohengrin, Wagner, Richard
Wiener StaatsoperDer Heerrufer des Königs (The king's herald)
Féach ar an bhfoireann agus an fhoireannTurandot, Puccini
Wiener StaatsoperUn Mandarino (A Mandarin)
Féach ar an bhfoireann agus an fhoireannRigoletto, Verdi
Hungarian State OperaRigoletto
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
After finishing his studies in Graz, Austria, during which Attila Mokus sang a numerous set of first roles – Proccolo in Donizetti's Viva la mamma, the Father in Humperdinck's Hänsel und Gretel, Count Robinson in Cimarosa's Il matrimonio segreto, Marcello in Puccini's La Boheme, Herr Fluth in Nicolai's Die lustigen Weiber von Windsor, the titelroles in Mozart's Le nozze di Figaro and Don Giovanni, Guglielmo in Cosi fan tutte (Graz, Deutsche Oper Berlin), Sharpless in Puccini's Madama Butterfly (London), Count Jeletzky in Tchaikovsky's Pique Dame and Giorgio Germont in Verdi's La Traviata (Novi Sad Opera House, Serbia), Count Homonay in The Gipsy Baron from Strauss (Classionata Festival, Switzerland) – the young baritone was welcomed to cover the role of Rodrigo di Posa in Verdi's Don Carlo
